#web series release in January

[celeb-stalkerr]

जनवरी के तीसरे हफ्ते में रिलीज हो रही हैं ये 8 फिल्में और वेब सीरीज़, देखना ना भूलें

जनवरी का तीसरा हफ्ता शुरू हो चुका है, और इस हफ्ते ओटीटी पर कई बेहतरीन फिल्में और वेब सीरीज़ रिलीज हो रही हैं। इनमें से कुछ फिल्में और वेब सीरीज़ ऐसी हैं जो पहले ही सिनेमाघरों या ओटीटी प्लेटफॉर्म पर रिलीज हो चुकी हैं, लेकिन अब उन्हें नए दर्शकों के लिए रिलीज किया जा रहा है। तो चलिए जानते हैं कि इस हफ्ते कौन-सी फिल्में और वेब सीरीज़ रिलीज हो रही हैं, और उन्हें क्यों देखना चाहिए? फिल्में मैं अटल…

[bollywoodkanafusi]

OTT Upcoming January 2024 release: इस जनवरी ‘Animal’ से लेकर ‘Indian police force’ तक ओटीटी प्लेटफॉर्म्स पर होंगी रिलीज

साल 2024 का पहला महीना होगा दर्शंकों के लिए मनोरंजन से भरपूर, क्योंकि ये जनवरी ‘डिज्नी हॉटस्टार’ (Disney+Hotstar) ‘अमेज़न प्राइम वीडियो’ (Amazon Prime Video) और ‘नेटफ्लिक्स’ (Netflix) ‘जी5’ (zee5) जैसे ��टीटी प्लेटफॉर्म पर कई धमाकेदार फिल्में और वेब-सीरीज रिलीज होने जा रही है. ये वेब-सीरीज और फिल्में और जबरदस्त रोमांस, सस्पेंस, एक्शन, थ्रिलर और कॉमेडी से भरपूर होने वाली है. पूरी खबर पढ़ें

[ponett]

Bobby's 2023 Media Wrap-Up

So! Like I said before, this past year I kept a running list of everything I watched, every game I finished, every new album I listened to, etc., and wrote one-paragraph blurbs with my thoughts on every single one. Please enjoy this journey through everything I liked, or didn't like, in 2023, with my favorites of the year listed at the bottom.

(Yes! This is long!!)

Some notes:

I mainly only included things I finished. Exceptions are marked with an asterisk.

I included some YouTube stuff as "TV shows" - mostly particularly long, high effort video essays and documentaries.

I was a bit less adventurous than I'd like to have been this year. Part of this was just that I felt like I was constantly playing catch-up with Big Releases I felt obligated to check out, and part of this was just executive dysfunction from burnout. Wait until you see how long it took me to beat Mario Wonder lmao

Yes, I need to read more books. I don't read a lot of books these days. I need to get back to Discworld.

COLOR KEY

Video Games • TV / Web Video  •  Movies  •  Comics  •  Music

January

1/15: Final Fantasy XIV: A Realm Reborn (MSQ) - Very slow at times, the Primal shit is generally extremely lame to me outside of the boss fights themselves, but god if the quality of life improvements over WoW, the JRPG energy, and the fact that it Actually Has A Story carry it pretty hard.

1/18: Sonic the Hedgehog: Scrapnik Island miniseries - One of the most creative and compelling uses of the Sonic IP… ever? Fantastic little self-contained arc about the struggles of Eggman’s abandoned creations that gracefully weaves between heartfelt optimism and moody horror with some of the best art ever seen in a Sonic comic.

1/18: Mega Man X4 - Glad I finally actually beat this after never even beating any of the Mavericks as a kid! I can see why it’s a lot of peoples’ favorites. The gameplay has very little of that X series bloat and is just fun, especially after getting X’s armor upgrades. (But the story really is a long series of missed opportunities.)

February

2/2: Donks - Felix Colgrave continues to be an exceptional artist. The sound design on this is fantastic and really sells this short as something unique. Had to go back and watch his older stuff again after this.

2/4: Final Fantasy XIV: Heavensward (3.0 - 3.3 MSQ) - I get it now. I get why people say this is just a proper mainline Final Fantasy game built into the framework of an MMO. That shit ruled. Not even walking back the drama in Ul’Dah from the end of ARR can sour me on it because the main storyline was so strong.

2/8: Disneyland's Forgotten Sci-Fi Rock Band - Live From the Space Stage - A nice and honest tribute to a group of artists who could have easily been forgotten. In hindsight this feels like a precursor to Kevin’s Disney Channel jingle video, a tribute to the unsung artists pouring their hearts into “lesser” art for a megacorporation, art that was designed to be transient but sticks with people nonetheless.

2/9: Metroid Prime Remastered* - Not gonna finish because I just played through the Wii version in 2021, but still. Very, very pretty remaster.

2/16: Theatrhythm Final Bar Line - It’s more Theatrhythm. What more could I want

2/17: JoJo’s Bizarre Adventure: Stone Ocean (anime) - Probably the best part of the anime so far (assuming they continue on to SBR). A near perfect mix of the more structured plot of part 5 with the goofiness of parts 3 and 4 that crescendos into a fantastic, bombastic, emotional, bittersweet ending. The use of footage from the original opening and the new ending set to Roundabout in the finale were perfect, and made me intensely nostalgic for the early days of my JoJo fandom between seasons 1 and 2 of the anime.

2/22: Aggretsuko Season 5 - I don’t really know what to make of this one. Once you get past the agonizing initial arc all about Haida where Retsuko has to be his overbearing mommy GF who flips out and starts spying on him when she’s left on read and chides him when he misbehaves, it feels like an improvement over the previous seasons. But I don’t know how much of that is due to the extremely low bar set by season 4. And then the ending is extremely rushed and anticlimactic. They got legally married and the only acknowledgement was a shot of them signing the paperwork in a montage partway through the final episode?????????

2/24: Double Fine PsychOdyssey - God, what a journey the making of this game was. I already loved 2 Player’s past efforts at documenting Double Fine’s process, but this takes it to a whole new level. This feels culturally significant. The depth and honesty with which they depict not just the nitty gritty of making a game, but also the inherent struggles of working on a collaborative creative work for years at a time, is astounding. Not to mention that they were there to capture the shift from office life to remote work as COVID hit. So much of this would have been nightmarishly stressful to watch if I didn’t already know how successful the game was, but that’s just because they really didn’t sugarcoat it. And yet even after all that, it leaves me feeling optimistic about video games as an art form in a way that the constant headlines about cynical live service games don’t. There are still people out there pouring their hearts into making real art, and this is their story. Everyone who plays video games should watch this.

2/25: Cracker Island (Gorillaz) - New Gorillaz albums feel like less of an event these days, but after Humanz it feels like they’re just more chill with the project and their ambitions with it. Every couple years we get some more laid back jams from Damon along with some fun new collabs. Hard to complain. Favorite track: New Gold

2/25: Pool Kids (Pool Kids) - I discovered this band because Derek knows them and was excited when they got a song added to Fortnite through the Bandcamp collab. Always down to find more cool indie rock bands I can vibe with. The mix of dreamy vocals and energetic riffs on some of the tracks here almost fill the Crying-shaped hole in my heart. Almost… Favorite track: Conscious Uncoupling

2/25: Insane in the Rain (insaneintherainmusic) - I thought it was really funny timing when Carlos announced that his first original project would be a jazz fusion album inspired by acts like T-Square and Casiopea right as I was getting into those two specific bands. The final product does not disappoint. Favorite track: Insane in the Rain

2/26: Get Up Sequences Part Two (The Go! Team) - I’ve never been one to believe that a band’s sound has to remain exactly the same forever, but it really does hit you hard that the first two tracks here sound like classic The Go! Team. Their more recent cleaner sound is still here too, though, for a nice mix of old and new. Favorite track: Divebomb

2/28: Mobile Suit Gundam: The Witch From Mercury (Season 1) - Oh my god. Oh my god. I got distracted around the time I was finishing SLARPG, but finally catching up now, wow. My assumption that the seemingly lighter tone of the series compared to the prologue was there to lull us into a false sense of security before twisting the knife when war finally breaks out was spot on. This is peak Gundam.

March

3/4: Pizza Tower - One of the best platformers I’ve played in a long time. It transcends its blatant Wario Land inspirations with the sheer speed at which Peppino can move and the way things like the level design, his wall running, and even the hidden ability to do a second lap around the level reward getting into a flow state where you’re just constantly moving. This is the type of game that wants to turn you into a speedrunner. My only real complaint is a few iffy enemy designs that I wish would get patched.

3/6: Bloons TD 6 * - I bought this before bed one night on a nostalgic whim and then the next morning woke up and saw the Steam receipt email on my phone in one of the most “what did I do last night” moments of my life. I like when the monkeys pop the balloons.

3/7: The Book of Boba Fett - I put off finishing this show for a very long time but finally caved upon the release of The Mandalorian season 3. This show spends four episodes failing to make me give a shit about Boba Fett trying to be “the daimyo” and drive the drug trade off of Tatooine, then just gives up and becomes season 2.5 of Mando, which in turn feels like it undercuts the main series. It fails as both its own story and as a spinoff. I know that finishing this after Andor did it no favors, but WHOOF.

3/12: Obi-Wan Kenobi - Some interesting ideas in the first half hinting at a more introspective show, but it’s mostly swept aside in the back half so it can become a generic Star Wars adventure remixing things from A New Hope and Rebels (and apparently Jedi: Fallen Order). Action scenes have zero stakes because you know nothing can happen to any of the returning characters and none of the new ones are particularly interesting. Why there’s a second climax hinging on a Luke Skywalker death fakeout eludes me. Obi-Wan throwing the rocks at Vader is one of the funniest things in Star Wars history. But it was still better than Book of Boba Fett, I guess.

3/19: The King of Braves GaoGaiGar - Wow, cool robot indeed… GaoGaiGar isn’t going to blow anyone away with its writing, but sometimes you just need a really fun monster of the week mecha show with great action and lovably goofy characters. This is a show where like 20% of every episode consists of recycled transformation, combination, and signature attack sequences and I ate it up every time because they look fucking cool as hell. I don’t care. I’d watch Final Fusion another 49 times.

3/21: The Last of Us (HBO) * - Watched the first two episodes out of curiosity, but I’m not sure if I’ll continue because I don’t give a shit about The Last of Us. It’s definitely a well done adaptation, though, even if I know it’s inevitably going to devolve into miserable torture porn with questionable politics if they adapt Part II faithfully. The ending of episode 2 also lines up perfectly with where I stopped in the game in 2013 lmao

3/27: The Future is a Dead Mall - Decentraland and the Metaverse (Folding Ideas) - Another banger from Dan Olson. This time the premise inherently gives him more time to just show off a bunch of stupid ugly bullshit made by crypto guys, which is fun. My main complaint was that I wished he would’ve brought up Second Life more as a point of comparison (a thing I basically always want out of discussion of “the metaverse”), but he at least did touch on it in the last section.

3/31: The Murder of Sonic the Hedgehog - I can’t believe after years of begging for the supporting cast to get more and better material in a Sonic game I got my wish in the form of a freeware murder mystery VN released for April Fools. This kicked ass.

April

4/7: Berserk - Completed Miura’s run and caught up on the chapters that have been released posthumously. It’s hard to say anything that hasn’t been said about Berserk, universally agreed upon as one of the greats of manga and fantasy fiction as a whole. What begins in its first few volumes as a nihilistic and edgy action comic built to facilitate as much sex and gore as possible quickly evolves into something deeply human and vulnerable and beautiful, both figuratively and in terms of its lavish art. The world sucks and is immeasurably cruel, and you will see that cruelty illustrated in graphic, sickening detail repeatedly throughout the series. (Perhaps a little too often throughout the Golden Age, where it feels like Miura never misses an opportunity to threaten Casca with sexual assault mid-battle.) But the point isn’t to wallow in that misery. It’s the story of a victim of horrific abuse learning to slowly open up to others, having those people he cares about torn away from him in the worst night of his life, hardening himself into a cold killing machine, and then slowly learning to open back up again, even if it means leaving himself vulnerable to more hurt. Anyone who says that the series peaked with the eclipse and went downhill in the “Guts’ JRPG Party” era is missing the point. Guts needed to find new people in his life to care about, to begin to find happiness again. Because no matter what unspeakable things Guts has gone through, it’s still possible for him to heal and to be loved. It takes time, but eventually you stop and realize that life has moved on.

4/8: Dedede’s Drum Dash Deluxe - Skipped it upon release because I didn’t particularly care for the minigame in Triple Deluxe, and I didn’t miss much. It’s fine as a little distraction, but not as a standalone rhythm game with only seven songs. If you don’t bother with the hard modes or chase after high scores this game is 15 minutes long. Oh how I yearn for Kirby to get the Theatrhythm treatment.

4/10: The King of Braves: GaoGaiGar FINAL - Eh… It was okay. Lots of cool robot fights, but said fights are stitched together with a mediocre plot that tries too hard to be more “mature” than its unabashedly schlocky kids’ show predecessor. Not crazy about the ending, either, which tries to be a bittersweet farewell closing off the series once and for all while also teasing that maybe there’ll be ANOTHER sequel after the OVA series they literally called “FINAL.” Ah well.

4/11: The Owl House - Sad to see this one go, but it’s hard to imagine them doing a better finale than this, even if they had gotten the six seasons they deserved. I’m not as obsessed with The Owl House as I probably would’ve been had it come out when I was, like, 20, but it’s a really fantastic show for all the reasons people always say. Great characters, great world, great story. I love that this starry-eyed fantasy story about a teenager finding love and a place where she belongs is also set on the rotting corpse of a titan with Hieronymous Bosch-inspired scenery and freaky monsters everywhere. What a great mix. If anything, I just wish I would’ve watched the first season as it aired so I could’ve had more time with it.

4/29: Mega Man Battle Network 3: Blue Version - FINALLY beat this via the new collection, 20 years after playing it as my first Mega Man game. (Technically my first was White, not Blue, but whatever.) There are more annoyances than I remember - lots of really really bad forced backtracking sections where you have to revisit every previous part of the internet, low chip drop rates, some really aggravating bosses like BubbleMan and KingMan, etc. But it’s still a great time overall. It’s Battle Network. In the back half the story gets surprisingly emotional, too. I was always under the assumption that the Hub stuff never came back up much in the story after 1, so I was pleasantly surprised with how relevant it was to the emotional arc of 3.

4/30: Mega Man Battle Network 4: Red Sun * - Yeah I’m not playing through the whole thing lmao. I just wanted to play the first couple hours for nostalgia’s sake, and as a baseline for how much better the rest are. Even before getting deep in the game and having to deal with all the shit gated between doing two new game+ playthroughs, it’s immediately obvious how much of a downgrade this one is. Tons of glaring errors and typos all over the script, blander music, a way more boring aesthetic for the internet, and a premise that mostly just recycles the tournament idea from 3.

May

5/14: The Venture Bros. - Glad I finally sat down and watched all of this with Anthony after having seen one (1) episode as a teenager and a bunch of random clips in the years since. Great show. Some jokes in the early seasons haven’t aged gracefully, but what the show grows into over time... man. Hank and Dean go from being the butt of the joke to being characters you actually sympathize with - while still also being funny little goofballs. And the journey Henchman 21 goes on throughout the show. Man. Amazing that a comedy like this could run for 20 years and maintain its level of quality. Can’t wait for the movie.

5/18: Future Me Hates Me (The Beths) - Okay yeah I’m now just discovering bands through Fortnite lmao. I can’t complain really, they pick some really great indie artists for the in-game radio stations. Anyway: It’s very easy to win me over with a combination of energetic power pop, catchy guitar riffs, and earnest lyrics like this. One of those albums where three or four tracks in I know I have to buy it. Favorite track: Not Running

5/18: Jump Rope Gazers (The Beths) - Ditto. Favorite track: Dying to Believe

5/18: Expert In A Dying Field (The Beths) - Another good album. (I’m listening to these in release order.) I’ve been a bit slower to warm up to this one, initially thinking it was a little too mellow overall, but it might be my favorite after a few listens. Some real high highs. Interestingly, the lead singer’s New Zealand accent is also coming out more in her singing? Favorite track: Your Side (or maybe Head in the Clouds)

5/19: The Super Mario Bros. Movie - As a Mario fan, I think I enjoyed it? As a movie, less so? It was decent, in spite of feeling like they came up with a list of fun action setpieces first and then wrote the absolute bare minimum possible for the story scenes tying it all together. Full thoughts here. (This is the first movie I’ve seen this year, huh? I really don’t watch a lot of movies.)

5/23: Don't Know What You're In Until You're Out (Gladie) - I feel like I don’t like Gladie as much as I should. Their style of noisy indie rock is very much in my wheelhouse, and I do enjoy listening to them, but I dunno. Maybe it’s that the particular style of vocals makes it more monotonous to me. A good album nonetheless, if not 100% my thing. Favorite track: Nothing

5/24: City Slicker (Ginger Root) - Yes I am still making my way through Bandcamp artists I heard on Fortnite don’t @ me. Any excuse to get me to listen to some cool city pop-inspired funk like this is a good excuse. Favorite track: Loretta

5/24: Rikki (Ginger Root) - Favorite track: Why Try

5/25: Spotlight People (Ginger Root) - Favorite track: The Classic

5/29: Succession - A good dramedy series that increasingly focuses more on the drama than the comedy as it progresses, but it’s hard to complain about that since the drama is so compellingly produced. I enjoyed it. That being said, I kind of rankle at the claims that it’s The Greatest TV Show Of All Time. It’s great, don’t get me wrong. Amazing performances all around. But the show LOVES to spin its wheels, to repeat itself, and to let most of its interesting dramatic developments fizzle out before anything really comes of them, almost as if the show is constantly getting bored with its own ideas. To some extent this is intentional - Logan Roy is the untouchable billionaire, his kids fail at everything (but will nonetheless remain billionaires), and in the long run none of them really give a shit about anything other than their own status. But it’s not like things tend to visibly impact anyone else, either, be they supporting characters or the world at large. Even the Big Scary Election, where the Roy siblings are directly responsible for plunging the nation into chaos, ultimately has zero impact on the finale a mere two episodes later. Certain Other Things do have an impact in the last season, though, allowing things to meaningfully change for the cast and for the show to sit with the ensuing drama, which has stopped me from souring on Succession more. There was finally a payoff for something. But it does still kind of feel like a show that goes in circles until it’s ready to call it quits, even if those circles did contain a lot of great acting and music along the way.

5/29: Kipo and the Age of Wonderbeasts - I’d watched the first 12 episodes when they originally released, but I guess the Netflix binge release and the fact that all three “seasons” came out in one year led to me waiting until it finished… and then I just never got around to finishing it. Glad I fixed that! Really fun and stylish cartoon with an art style reminiscent of Teen Titans, a hip hop-filled soundtrack, dynamic fight scenes, and a colorful post-apocalyptic world filled with mutant (mostly anthropomorphic) animals. I’ll admit that at times I do kinda roll my eyes at Kipo’s unshakeable belief that everyone can be friends in a way that I don’t necessarily with similar shows like Steven Universe, and not every joke lands, but I dunno. It’s a kids’ show. That’s to be expected. It doesn’t detract from the overall package for me.

June

6/1: Craig of the Creek (Season 4) - It’s been years and I’m still processing the fact that kids can turn on Cartoon Network and hear Jeff Rosenstock. Anyway! Craig continues to be one of the best cartoons on TV, consistently funny and creative and way more engaging than a show about a bunch of kids LARPing in the woods has any right to be. This season turned into One Piece with the gang effectively hunting down the Poneglyphs in search of a legendary treasure. The kids think it’ll be magic. It isn't. An increasing number of cartoon logic gags aside, this show is firmly set in the real world. Does that make it any less interesting? Hell no. Season 3 turned a game of capture the flag into an all-out five episode war between the heroes and villains, filled with dramatic turnabouts and a climactic guest appearance from Del the Funky Homosapien. I’m sure however they wrap things up in the (sadly shortened) final season, it’ll be great. (Also? I would watch a whole show based on that “what if” episode that jumped forward to everyone’s 20s.)

6/6: Barry - Holy shit, what a show. I ended up binging it in less than a week in a cycle of “okay, just one more episode.” The way this show is able to swing between tones and genres while still feeling like a cohesive whole is truly masterful. It’s a layered character drama, a tragic crime thriller, a farcical comedy, an understated action series, a surrealist morality play, and a scathing satire of Hollywood, all in one. Even within the criminal underworld subplots the show ranges in tone from Breaking Bad to Paddington 2. And it works! While the show naturally gets bleaker over time as it confronts the repercussions of Barry’s murders, it never completely loses sight of its comedic roots. My favorite episode was easily season 2’s “ronny/lily,” a mostly self-contained episode that somehow manages to keep throwing the perfect curveballs to escalate its dark comedy.

6/12: The Lord of the Rings: The Fellowship of the Ring (Extended Edition) - Y’all heard of this movie? Pretty good, it turns out. (I’d seen the theatrical cut before, but this was my first time watching the extended edition. I’ve also only seen parts of the other two movies, so it’s time I finally watch all the extended cuts. The Gollum game pushed me to this.)

6/13: The Lord of the Rings: The Two Towers (Extended Edition) - give it to us RAW and WRIGGLING

6/17: The Lord of the Rings: Return of the King (Extended Edition) - I’m not crying YOU’RE crying

6/22: Clone High (Season 2) - While the first episode being about “cancel culture” (or, more accurately, a teenager from 2003 being transported to 2023 and putting his foot in his mouth a lot) put a lot of people off, I ended up enjoying the new season of Clone High. The new clones grew on me as the season went on and their roles in the web of teen romance melodrama crystalized, and it made me laugh a lot, and Cleo/Frida is galaxy brained. Also they played one of my favorite Antarctigo Vespucci songs like a minute into the first episode. I don’t think I could really ask for much more.

6/28: The Mandalorian (Season 3) - I'd been watching this weekly but put off the last episode for no real reason. Responses to this season have been all over the place, but my blistering hot take is… it was fine. Is it as good as the first season? Probably not. But Mando no longer needs to carry the whole franchise on its shoulders and set the bar for how good the live action Disney Star Wars shows can be, because Andor exists, and it’s never gonna top Andor. The Mandalorian is free to just be a pulpy space adventure show where Giancarlo Esposito plays a scenery-chewing cartoon villain and a little puppet does wire stunts. These are things Andor cannot and should not do, but that’s Star Wars, baby. It’s delightful. I could watch Grogu get underhand tossed like a sack of flour all day.

July

7/2: Mobile Suit Gundam: The Witch from Mercury (Season 2) - LOVE WINS. (More nuanced take from way later: It definitely feels like a lot of the more messy political conflicts in this show got swept aside by the big final battle where some more easily resolved family conflicts take center stage. I’m not sure the ending is the most satisfying. But also this show only got half the episode count that damn near every other Gundam show ever made got, so that might be a factor here. Idk. Still one of my favorite Gundams.)

7/4: Final Fantasy XVI (watched Anthony play) - I had to write my longest Medium article ever about this one because I was so frustrated

7/10: Home Movies - “Things I like that I’ve never seen in full” has certainly been a recurring theme this year. Home Movies remains an all-time classic of animated comedy that went out on a high note before things got stale or the characters became parodies of themselves. While it’s mostly known for its funny improvised banter, throughout the last season you can really see the arc where Brendon no longer enjoys making movies, yet he feels obligated to keep using them to escape from the real world. In that light, the ending where the nature of their dysfunctional makeshift family is cemented, Brendon’s camera suddenly breaks, and life moves on really does feel like the perfect note to end on. Truly one of the best to ever do it.

7/15: The Legend of Zelda - Tears of the Kingdom - Wow. Just… wow. I had serious doubts about TotK in the months leading up to release due to how close Nintendo was playing their cards to their chest. I didn’t want this to be a Saints Row IV, where the game is fun enough but the recycled map makes it feel like a rehash. Instead, I found a game that made me look at BotW’s map in a whole new light, brimming with so many more things to do and people to meet. Add on a better, more versatile set of tools, more varied dungeons and bosses, and a story that I felt was told somewhat better and we’ve got a real contender for my new favorite Zelda game. It was hard to tear myself away, but as this list shows, it’s been basically the only game I’ve played since it came out.

7/16: Sonic Prime (Season 2) - I liked the parts with Shadow and Chaos Sonic, but I’ve come to the sad conclusion that most of this show is just mediocre. More thoughts here.

7/18: We ♥ Katamari Reroll + Royal Reverie - “I’m a dog, but I love Katamari Damacy.” Truer words have never been spoken.

7/19: Transformers: Rise of the Beasts - Pretty good! It didn’t blow me away, but after how bad the Bay movies got I’m just thankful to have a decently cohesive Transformers movie where the human story is okay and I like the bots (although half of them needed more screen time), even if it is just another Hollywood blockbuster about two sides fighting over a macguffin that devolves into a big CGI battle against an army of nameless monsters in the third act. This is basically a mid-tier MCU movie but with Transformers, which won’t do much for most people, but again: the bar was underground.

7/22: The Venture Bros.: Radiant is the Blood of the Baboon Heart - God DAMN. A phenomenal ending for the series. While I would have loved to see a full final season to get some more one-off episodes in there, this doesn’t feel creatively compromised in any way–either due to the time constraints, or due to a desire to make it more marketable as a movie. It really does feel like they just took their outlines for the canceled final season and gently massaged them into the shape of an 84-minute movie, and I mean that in the best possible way. It’s completely on par with the previous seasons. A hilarious and fitting sendoff for one of the greats of adult animation.

7/23: Beautiful Katamari - This was one of my first Xbox 360 games, but a frustrating temperature-based level made me put it down for 16 years. “Maybe it won’t be as bad now that I’ve beaten the first two games and am better at Katamari,” I thought. Nope! Still an absolutely dogshit level. But also, turns out the whole game is only like two hours long lmao. It’s still Katamari, so it’s still fun - the final level in particular, which seamlessly takes you from ground level all the way to space, feels like a logical endpoint for the series - but beyond that it just doesn't have the same soul without Keita Takahashi's input.

August

8/4: Doom Singer (Chris Farren) - I’ve been waiting so long for Chris and Jeff to do another Antarctigo Vespucci album, but god damn. This is the best of Chris’s solo work, and a contender for his best record, period. Every track’s a banger, with more energy than some of his previous solo work but also a good deal of variety. Favorite tracks: First Place, Cosmic Leash

8/4: Transformers Earthspark (Season 1) - This show had a bit of an uneven start, unsure if it wanted to have the emotional maturity of a more serious action cartoon or a preschool cartoon where the characters have little kid mood swings and outbursts and learn basic lessons. It also felt like it was speedrunning its Wholesome Found Family Dynamic with characters who just met, which didn’t feel earned. While these problems never completely go away (see: the cheap and corny way the otherwise very dark season finale suddenly resolves), the show improves quickly, and the positives outweigh the negatives. It’s so great to have a Transformers cartoon that feels fresh, giving us a post-war setting with a bunch of new characters and new dynamics between the Cybertronians and the humans. The returning characters are also uniformly great as the old veterans overseeing the new generation. (Reformed Megatron! Danny Pudi as Bumblebee! Steve Blum returning as Starscream! Keith David as Grimlock!!!) And those super dynamic action scenes! I can nitpick, but Earthspark’s a ton of fun, and easily the best new Transformers cartoon since Prime and Animated.

8/5: Ghost Trick: Phantom Detective (remaster) - Everyone who told me this game was a masterpiece was right. I had played the first chapter when it dropped as the demo for the iOS version years ago, but never went further than that until now. What a game. Absolutely incredible through and through. Great story, great twists, great characters, great puzzles, great art direction. Everything comes together so perfectly to form a totally unique, unforgettable package, a top tier video game murder mystery. Everyone should play this, preferably going in as blind as possible.

8/15: It’s Always Sunny in Philadelphia (Season 16) - Wow! Recent seasons of Sunny have been kind of up and down, with some interesting experiments (Mac Finds His Pride, the Ireland arc, etc.) paired with some comedic duds. Most of this latest season is standard fare for the series with fewer big creative swings, but it’s just hit after hit in terms of comedy. Not a single dud, whether we’re seeing Mac and Dennis try to start a rental business for inflatable furniture or watching the gang meet Bryan Cranston and Aaron Paul, believing the entire time that the latter is Malcolm from Malcolm in the Middle. Even the attempts at topical comedy landed better. Easily the funniest season in years.

8/16: One Piece Film Gold - It’s easy to see why this one has kind of been forgotten in the wake of Stampede and Film Red, which revolve around established fan favorite characters, but this was still pretty fun. Perhaps a little too long, but it’s fun to see the Straw Hats fool around in a giant casino and do a heist. They definitely cranked the fanservice up even more than usual in this one, though, as I probably should have expected for a movie made alongside the anime’s adaptation of Dressrosa.

8/17: One Piece: Stampede - This one goes for a different kind of fanservice. While most One Piece movies are isolated from the ongoing plot and its expanded cast of characters, Stampede instead asks “What if we just put damn near every active character on the same island and had them fight?” The answer: a fun time! It would get old if all of the movies were like this, but after a bunch of movies that are just like “the Straw Hats are gonna land on another new island and fight some more weird guys” it’s fun to see characters like Law and Buggy and Smoker get in on the fun. It’s also nice to get a movie with the Wano era art style, and Usopp surprisingly gets some really good character moments in here.

8/18: One Piece Film Red - This really is the best of the One Piece movies, huh? (Baron Omatsuri is a close second.) It really feels like a change of pace after the last four with the most interesting and emotionally engaging story out of any of them. And even if the events of these movies are never canon, it still feels significant in my understanding of Shanks as a character as we move into the final phase of the manga.

8/21: Pikmin 4 - The opening hour of the game made me really question if they’d changed too much, with all the focus on your new dog unit over your Pikmin and the extremely dull, drawn out dialogue scenes with your new companions back at the base. But once I got into the swing of things I had a blast. This is probably my new favorite Pikmin game. There’s a great mix of activities here to keep things fresh. I also really ended up liking Oatchi’s role as basically your second captain who can also serve as your tank or a rideable mount. The Dandori stuff and nighttime missions in particular show off how useful Oatchi is for your multitasking without necessarily overshadowing the Pikmin.

8/22: Never Get Tired: The Bomb the Music Industry! Story - I literally backed this on Kickstarter eight years ago (my name is in the credits!) and then never got around to watching it for no reason. It’s on YouTube now, and Jeff’s got a new album out next week, so now feels like the perfect time to watch it. And man… what a great documentary. Obviously I’m just a fan of the band, but this also really spoke to me as an artist. Jeff wanting to stick to his principles and give out his music for free and play cheap all ages shows, his discomfort over the idea of selling merch, and the struggles that come with not playing the game like that… It's hard. They readily admit that Jeff is an idealist, that people fight him on this stuff, that he’s missed out on some big opportunities because of these stances, and that he’s had to compromise a bit on some of these things over time. But that incredible climax with their final show, including a full opening performance of the slowly building “Campaign for a Better Next Weekend” and the closing performance of “Future 86” where the whole audience is singing along as the members of the band are hugging and crying… it’s beautiful. This may have been a band where the members had to go back to their shitty day jobs after every tour because they weren’t selling out arenas, but their art meant something to people, and that makes it all worth it.

8/25: Nimona - I haven’t read the original comic (yet), so I can’t compare them too much, but it’s nonetheless pretty apparent that some things were softened and easy kids’ movie jokes were added by the studio to squeeze this graphic novel for teens into a PG animated movie. Regardless, the emotional throughline hits REALLY hard, particularly the very blatant trans allegory and the climax. (It’s no wonder Disney was afraid of this movie seeing the light of day lmao.) The animation is also very squishy and fun to watch throughout. Great movie.

8/26: Puss in Boots: The Last Wish - Spider-Verse really has done so much for animation, huh? This one was as good as everyone said. Beautiful use of stylized color and lighting throughout, and every time this movie very conspicuously shifted to different framerates for a flashy fight scene it owned. Very cute and heartwarming story, too, which thankfully gave its second act plenty of time to explore the cast and let them go on their journey, unlike a certain plumber movie that came out a few months later. Also I would let Death [redacted]

8/28: Holocure: Save the Fans! - This isn't really something I can beat, but I've been addicted to Holocure lately. I don't even watch VTubers aside from maybe seeing a funny Korone animation every now and then, this is just a really, really good freeware Vampire Survivors clone with a huge roster of varied characters to pick from.

8/31: HELLMODE (Jeff Rosenstock) - A new album from Jeff is always a major event for me. If there were any worries that he was starting to go soft at 40 (because one of the three singles off this album was a gentle acoustic piece), the frantic opening of this album put those worries to rest. The first two tracks are Jeff screaming out for help as he’s pulled in a million directions by the chaotic state of the world, a theme that becomes the thesis of the album. I’d say it lags slightly in the middle, but overall this is another extremely well-rounded record full of bangers that’s unapologetically Jeff, with possibly my favorite closing track he’s ever done. Favorite tracks: I WANNA BE WRONG, 3 SUMMERS

September

9/3: One Piece (live action, Season 1) - They did it. I can’t believe it, but they did it. While I have my nitpicks (Usopp and Sanji don’t get enough big moments to shine), this is an extremely solid and faithful adaptation of the first few arcs of One Piece with a great cast. For the most part the changes feel smart and logical, and the big emotional beats of the story are all there and executed very well. I doubted it a little in episodes 2-4, where the Orange Town and Syrup Village arcs saw some major changes to shift the action indoors, and the increased focus on the drama in favor of repeating every gag and battle from the manga 1:1 took a bit of getting used to, but by the end I was having a blast. It’s a different take on One Piece, but it still feels like One Piece. Genuinely very excited for season 2.

9/4: Pseudoregalia - A great little N64-style 3D Metroidvania focused on platforming and very satisfying movement. I always love entries in the genre that are less prescriptive in what order you have to tackle areas in, a la Symphony of the Night or Hollow Knight, and this one’s great in that regard. While there are a number of new moves to find, most of the map is open to you very early in the game, and smart use of your moveset can allow you to “sequence break” without even realizing it. (You would not believe how long I went without getting the wall run.) I do wish it had a map, but that’s already being patched in.

9/6: Bomb Rush Cyberfunk * - Not a bad game at all, but I quickly remembered how bad I am at skating games, so like… eh? Not sure I have much desire to play past chapter 2. Also the soundtrack is sadly kinda hit or miss for me outside of the obvious Naganuma tunes.

9/9: The History of the Minnesota Vikings (Dorktown) - Jon Bois never misses. Even as someone who doesn’t actively follow sports, Jon Bois is a master storyteller, using graphs and statistics and funny anecdotes to explore these deeply human stories. He can convey why people care so much about these teams, these people, and sports in general, and how our popular sports reflect on American culture. He could tell the story of just about any team or player in any sport and I just know I’ll come out the other side a misty-eyed fan. And what a fascinating cast of characters we have this time, with origin stories for everything from the Hail Mary pass to a Minnesota state supreme court judge to the Griddy. Nine hours well spent.

9/10: Timespinner - A fun and highly polished Metroidvania that maybe doesn’t quite have enough of its own identity in its quest to replicate Symphony of the Night…but also, like, this was pitched as a Symphony throwback on KickStarter in a pre-Bloodstained, pre-Hollow Knight world, so I can’t really blame ‘em! Stopping time to avoid boss attacks is fun, the pixel art is gorgeous, and I liked the dark science fantasy story about warring empires and meddling with time a lot more than I thought I would - lore journal text dumps and all.

9/14: The Decay of Sam & Cat (Quinton Reviews) - All the stuff at the end with Matt Bennett (the actor who played Robbie on Victorious and Sam & Cat) in this was really good and sweet. It’s that kind of thing that makes these videos feel like they’re still worthwhile on some level. But the padding and the things Quinton chooses to spend the colossal runtime on does drive me more and more insane with each passing Nick sitcom video. I don’t know how much longer he can keep this schtick up. I hope he’s able to move on to other things before too terribly long instead of continuing to extend this “miniseries.”

9/19: Marvel’s Spider-Man: Miles Morales - AKA Insomniac’s Marvel’s Spider-Man 1.5. It’s fun for the same reasons Peter’s first game was fun. I had a good time swinging around New York again in preparation for the sequel, and there’s a lot of cute stuff with Miles becoming Harlem’s neighborhood hero, but WOW did the Underground v. Roxxon conflict fall flat for me.

9/20: I Think You Should Leave with Tim Robinson - I understand so many posts now.

9/25: Spider-Man (2002) (rewatch) - It’s you who’s out, Gobby! OUT OF YOUR MIND!

9/25: Futurama (Season 8) - I was ready to be a hater, recalling the fact that Futurama has already had three “perfect endings” with the show getting a little weaker with every revival. Then I watched the first new episode on a whim and thought it wasn’t bad, so I was like, eh, sure, I’ll watch the rest. Overall Hulurama is hit or miss. There are chuckles to be had, and it sure as hell beats modern Simpsons, but almost every episode is either a belated take on an overplayed Topical Issue (the pandemic, Amazon, cancel culture, etc.) or a direct sequel to an old episode people liked. Or both! It’s also really noticeable that certain voice actors sound way older - Billy West is struggling with the Fry voice in particular, and it hurts his comedic timing. But just when all hope seemed lost after the nigh-incomprehensible toy-themed anthology episode, possibly the worst episode of the entire series… the last episode, where the Planet Express crew explores whether or not the universe could be a simulation, was really, really solid. Great note to end on to make me not regret my time with this season as a whole.

9/26: Spider-Man 2 (2004) (rewatch) - Once the GOAT, always the GOAT.

9/27: Spider-Man 3 (rewatch) - Revisiting this movie for the first time since I saw it in theaters… it’s not bad. It’s fine! It continues to have the heart and sincerity that make the first two movies work. It’s just not as concise with three villains vying for the spotlight, but I also wouldn’t cut any of them, necessarily. I guess Eddie/Venom would be the easiest, but Peter getting the black suit and giving in to his resentment feels too central to cut. (Yes, even with Emo Peter becoming a meme.)

9/28: Adventure Time: Fionna and Cake - I wasn’t really sure what to expect with this one, especially since I was never really a fan of the genderbend episodes in the original show. (At the time they mostly just felt like an excuse to crank up the teen romance stuff to 11.) But MAN. This was a fantastic coda to the original series. It made me care about Fionna and Cake and their friends as their own characters separate from their original counterparts, it gave the Simon/Betty arc a much more satisfying (if no less bittersweet) resolution than the original finale had time to do, and it even managed to be a multiverse story that didn’t make me roll my eyes in 2023. A+ all around. Makes me wanna rewatch the original show again. [spoiler: I did]

9/29: Meanwhile (aivi & surasshu) - It’s been a whole decade–they were busy with, you know, all the music in Steven Universe, among other things–but we finally have a new aivi & surasshu album! Their chiptune/piano fusion style is familiar, but they’ve definitely grown as composers in subtle ways. Favorite track: Time Travel

October

10/1: This is Financial Advice (Folding Ideas) - A lot of the nitty gritty finance law stuff turned into white noise for me, but still, great video. I had no idea that the GameStop stock craze devolved into this bizarre cult that thinks they’re going to crash the global economy and rise from the ashes as the new kings with the value of their GME stocks. Glad this video exists to try and balance out the narrative.

10/5: Sonic Frontiers: The Final Horizon DLC - Good ideas, absurdly frustrating and tedious execution. Full thoughts here.

10/10: Spider-Man: Into the Spider-Verse (rewatch) - I didn’t plan this, but very fitting that I would end up rewatching this on 10/10.

10/12: Half-Life Alyx but the Gnome is Self-Aware (wayneradiotv) - ha he! (Seriously though, that finale was a fucking masterpiece. The RTVS crew has an incredible knack for using the framing device of video game livestreams to blur the lines between comedy and horror, or ironic anti-humor and complete sincerity. I’ve never seen anything else like this.)

10/15: Spider-Man: Across the Spider-Verse - Not sure how much I can say that hasn’t already been said. The most visually creative movie I’ve ever seen, grounded by some really excellent storytelling about Miles (and now Gwen) that’s probably better than his actual comics. But it also does feel like it’s about to end and then the movie just keeps going like ten times over lmao. Can’t wait to watch this a second time on a better TV.

10/20: Sonic Superstars - A mostly really solid and fun 2D Sonic game that’s unfortunately dragged down by an extremely hodgepodge soundtrack and some overly drawn out boss fights. I spent HOURS trying to beat the final boss of the bonus scenario (which is required for the true ending in this one) before giving up. Really a shame that that’s the note I’m leaving the game on, because I otherwise enjoyed it, but ah well. More thoughts here.

10/27: Marvel’s Spider-Man 2 - Another good Spider-Man game from Insomniac. Liked the story more than the one in Miles Morales, but maybe not as much as the first game. Extensive thoughts here.

10/28: Venom - Was in the mood for more Venom after the game. As expected this was not a very good movie, but the dynamic between Eddie and Venom made it a fun watch. Tom Hardy is constantly about to shit his pants in this movie. It’s great.

10/28: Venom: Let There Be Carnage - I had a way better time with this one. Is this a good movie? No. But it cranks the insanity of the first movie up to 11. Goofy as fuck in an extremely watchable way.

November

11/5: Pluto - An absolutely masterful series that anyone interested in sci-fi needs to watch. The anime adaptation was great, and I immediately understand why people who’ve read the manga speak so highly of it. Really makes me want to get into Astro Boy more, and also read some of Urasawa’s other works.

11/18: Scott Pilgrim Takes Off - Wow, just wow. When news of a Scott Pilgrim anime broke I was cautiously curious to see if we’d get a more direct adaptation of the comics, and instead it veered off in the exact opposite direction in the best way possible. This is almost entirely a different story, one that’s in conversation with the previous versions (sometimes in very meta ways), and I think it’s really valuable to see O’Malley revisiting these characters with new things to say about them. The major story divergence gives us a chance to examine the characters from a new angle - particularly Ramona, who’s the real protagonist of this version, and the evil exes, who completely steal the show. This was a great reminder of why I fell in love with this series as a teenager. I now genuinely hope we get more Scott Pilgrim.

11/22: Void Rivals (Issues #1 - #6) - The first arc of the new Robert Kirkman series that kicked off Skybound’s new “Energon Universe” is now complete, and I’m left thinking Void Rivals is… okay? I thought the first issue was a decent (if not particularly original) sci-fi comic with an appealing art style, which just so happens to also briefly have a Transformer in it so there can be a Big Surprise. And the series still hasn’t quite shaken that feeling to me. It’s an okay sci-fi series that arbitrarily dedicates a couple of pages of every issue to something from Transformers, but I’m not really sure what the shared universe stuff adds to Void Rivals, or what Void Rivals adds to Transformers and GI Joe. I guess we’ll have to wait and see.

11/22: Journey to EPCOT Center: A Symphonic History (Defunctland) - Yeah, gotta be honest, I only got halfway through this one. It seems like Kevin just 1) really wanted to push himself creatively and 2) make a love letter to Epcot, and while I respect that, I think it suffers as a historical documentary. It’s Fantasia but for the creation of Epcot. That might be very impressive on a technical level, but it feels more like a piece of Disney propaganda than prior Defunctland videos due to a lack of context and nuance. 

11/24: Aperture Desk Job - A short, sweet, and funny little tech demo for my new Steam Deck set in the Portal universe. More effort was definitely put into this than was strictly necessary.

11/26: ESCHATOS - I am not good at bullet hell games, but I enjoy them from time to time and I really love this one’s FM synth soundtrack, so I picked it up on a whim in the Steam sale. I only beat it on Easy, but still, I had a lot of fun with it! It’s straightforward but very flashy, with the camera dynamically zooming around from set piece to set piece at ridiculous speeds and each level segueing directly into the next. The lack of a powerup system on the main mode in favor of just needing to know when to use your different shot types makes it feel very approachable.

11/27: Lunistice - A great little 3D platformer with a good soundtrack that I had fun hunting down all the secrets in. This is an easy recommendation for fans of games like Kirby or Klonoa - whimsical games set in colorful dream worlds where the underlying story can get a bit more somber. (Although the story in this one is mostly told through mildly cryptic lore dumps, so your mileage there may vary.)

11/28: Spark the Electric Jester 2 - The leap from 2D to 3D here is impressive, but this is very clearly a rough draft for Spark 3. Very, very fun Sonic-style 3D platforming, but the combat is lacking and the storytelling is just kinda bad. More extensive thoughts on this and the above two games here.

December

12/2: Fortnite (Chapter 4) - This was my first full chapter of Fortnite, after having been roped into the game by the siren songs of Zero Build mode and Goku during Chapter 3. This means it’s harder for me to compare this chapter to previous ones, but still, Fortnite remains a genuinely very well made Battle Royale shooter that’s a blast with friends. If I have any complaint about this Chapter, it’s that they would regularly introduce zany ideas and then slowly reel them back in, whether it was the Augment system or the increasingly mundane movement items. It also felt like it was a little too easy to get the perfect loadout in every match, meaning the final showdown would almost always be against players with Slurp Juice and gold shotguns. And I missed the smaller mid-season map updates of Chapter 3. But overall I still had a really good time, and look forward to playing more for the foreseeable future.

12/4: Plagiarism and You(Tube) (HBomberguy) - This will get written off by many as “YouTuber drama,” but this really is an excellent video essay that feels like the kick in the pants that YouTube needs. If video essayists are gonna be a major source of information for so many, then they gotta have standards. I also think it does a good job of highlighting the people that have been plagiarized and trying to drive more attention their way in an attempt to right those wrongs.

12/6: Transformers (Skybound comic) - We only got the first three issues of this in 2023, but I just HAVE to say something about how incredible this series is here. Daniel Warren Johnson is knocking it out of the park. This is the new bar for Transformers. The hand-inked art is extremely dynamic and full of character, and the story is using the familiar beats of G1 Transformers but doing very new things with them. You can tell this from the very first page, but the emotional scene of Optimus accidentally crushing a deer in the forest and realizing how fragile life is on Earth sealed the deal for me. And yet in the very same comics Optimus can do suplexes and clotheslines and lord knows how many other wrestling moves on Decepticons, and it doesn’t feel like tonal whiplash? These comics just fucking rule, and anyone with even the slightest interest in Transformers should be reading them.

12/8: What We Do in the Shadows (Season 5) - [spoilers] WWDITS has very much settled into being a status quo show. Every season has its own little arc where one or two things change to keep things interesting, but then everything returns to normal by the end. Guillermo finally becoming a vampire, only to become a human again in the end, might just be the most egregious example of this yet. But also… the show’s still really funny? And I continue to be happy that Kristen Schaal has stuck around as a series regular as the Guide. So it’s hard to complain. I could see the show running out of steam over the next few seasons, but it’s still hitting for me right now.

12/12: Pony Island - Finally got around to this since the trailer for the sequel dropped. I feel like playing this years later in a post-Inscryption world where Pony Island is a known quantity kind of lessens its impact, but still, it’s a fun and funny puzzle game where you try to hack your way out of a possessed arcade machine. I’m not sure I found it particularly scary, but I’m not sure it’s supposed to be? The way the game messes with you during the Asmodeus “boss fight” was probably the highlight for me. I also like being able to say things like “The part where you have to not kill Jesus was so hard. I kept getting terrible butterfly patterns.”

12/16: Breaking Bad VR but the AI is Self-Aware (wayneradiotv) - As always, Wayne and co.’s commitment to the bit is unrivaled. This kind of got interpreted as just a way to troll HLVRAI fans, but so many moments in this genuinely made me laugh out loud.

12/18: Soul of Sovereignty Prelude - As someone who would list Cucumber Quest as a big creative influence, I was naturally very excited for this first chapter of GGDG’s new visual novel. Their mentality of both scaling things back in terms of labor while also going more shamelessly self-indulgent in terms of storytelling after burning out on making webcomics has really spoken to me, and WOW, the end result of that new process of theirs is shaping up to be something really special. The art and music are sparse but extremely evocative, giving you the rough sketch of the world and letting your mind fill in the rest. The story blends literary high fantasy vibes with the style of fantasy seen in ‘90s JRPGs (you can definitely tell this came from an idea for an RPG), but rather than constantly winking at the audience and making self-aware video game references it plays these storytelling ideas extremely sincerely, giving them real dramatic weight while still indulging in fun tropes to their fullest extent. While it’s a far cry from their most famous work with much more mature content, GGDG always excels at creating characters and worlds that immediately grab me. I can’t wait for the rest.

12/18: Barbie - I’m only… what, five months late for the whole Barbenheimer thing? Perfect timing. Anyway! On the one hand, I get the critiques saying that this movie is just a major corporation funding a self-aware feminist critique of their own product as a marketing ploy. And I kinda agree with that. And the movie is a little too long, and I don’t really know what to think of the way the Barbie/Ken conflict plays out. Anthony asked me to summarize what the story ended up being about, and I had no idea what to even say. But also… I did still like the movie? We don’t get a lot of cartoonish, absurdist, fourth wall breaking comedies like this anymore, and this is a good one of those. Also the whole cast is great, the set design is kind of stunning, and the cinematography is consistently appealing. I wouldn’t say it’s a revolutionary work of feminist filmmaking by any stretch, but it’s a good comedy movie.

12/21: Dr. Stone: New World - Man, Dr. Stone is great. I’ve said this many times, but I just love that this series uses all the trappings of shounen that would normally be used to hype up the protagonist learning a new move to instead hype up things like the protagonist building a loom or a hot air balloon. It’s shounen Bill Nye. I didn’t completely love everything about the Treasure Island arc this season, but it all built towards a really fun climax with a lot of satisfying turnabouts where the heroes use their ingenuity to just barely win.

12/23: The History of Mike Tyson’s Punch-Out World Records (Summoning Salt) - Truly one of my favorite Summoning Salt videos ever, even with how repetitive Punch-Out can get to watch. It’s just so hard to beat “and that runner… was me.”

12/24: Super Mario Bros. Wonder - What more can be said that hasn’t already been said? It’s the best and most creative 2D Mario game since the ‘90s. The only real flaws are that it’s a little easy, the Search Party stages are annoying in singleplayer, and I wish that every boss prior to the final boss wasn’t just some form of Bowser Jr. fight. But those aren’t nearly enough to drag the whole experience down. It was a blast.

12/24: Do a Powerbomb! - Got this from Anthony as a birthday present. This is the previous series by the creative team currently doing the new Transformers comics I was gushing about a few entries ago. Even with the high bar set by those comics, Do a Powerbomb! exceeded my expectations. Holy shit. An absolutely entrancing fantasy wrestling miniseries full of dynamic, energetic action and tons of heart. These comics where a guy wrestles a giant talking orangutan almost made me cry. Twice. An instant favorite.

12/25: Adventure Time (rewatch) - We ended up finishing our rewatch of Adventure Time (the main series, anyway) on my 30th birthday, which feels appropriate. I already kinda knew this, but this rewatch has truly confirmed that Adventure Time is my favorite TV series of all time. The entire show is even better on a full series rewatch. In hindsight, even parts that annoyed me when they aired end up being important parts of the beautiful tapestry that is this series. The many low points of Finn’s adolescent love life are important stepping stones in his growth as a person, which leaves him in an extremely satisfying place by the end. Jake having kids didn’t get to be a huge status quo change because they grew up instantly, but then they did a bunch of fun episodes about Jake’s relationships with his adult children that deepened him as a character. And most of the big lore questions they kept teasing over the years (“Where’d the humans go?” “Who are Finn’s parents?” “When’s Finn gonna get a robot arm?” etc.) ended up getting satisfying and creative answers, because the show left itself the room to figure those things out later. This is a truly special, one-of-a-kind series, one that lasted nearly 300 episodes and yet still seems like it was over too soon. And yes, I did in fact cry during the final montage, like I knew I would. I will always cherish this show with all of my heart.

12/25: Olive the Other Reindeer (rewatch) - Haven’t seen this one since I was a kid! It was a favorite of mine back then, and while it might not be quite as funny as I remember it’s still very cute, with a 2D/3D hybrid art style that remains very unique and appealing. As an adult I can also appreciate the cast they got for this, with like half the cast of Futurama bolstered by guests like Michael Stipe from REM and The Sopranos’ Joe Pantoliano.

12/26: Guillermo Del Toro’s Pinocchio - Anthony and I capped off our Christmas with the most jolly and festive stop motion movie of all! Jokes aside, man, what a beautiful movie. The animation is immaculate, and we really just don’t get children’s animated films like this anymore. Ones that overtly feature real world politics and religion and so many other dark themes in a way that doesn’t talk down to kids or sugarcoat things. This one hits hard. We need more movies like this.

12/31: Oppenheimer - This was an interesting one. Despite being three hours, the way that first hour jumps around in time makes it feel like Oppenheimer is constantly being propelled forward through life at a breakneck pace, swept up by the rising tide of nationalism in spite of his personal left wing politics, never really reflecting on what he’s doing until it’s too late. Then when he’s no longer useful to the empire, he’s chewed up and spat out, only to eventually be honored as a national hero as a symbolic gesture. It’s a compelling story. However, I’m a little torn on how certain aspects of history were framed. Does the abstraction of the bombings detract from the true weight of those events, in favor of sympathizing with the man who built the bomb? Or is it clever a way to show how the realities of the war were compartmentalized away by people who were complicit in its most heinous acts of violence? One minute a bunch of physicists are talking theory, thousands of miles away from the theaters of war, and the next they’ve killed 200,000 people. So which is it? Eh, probably somewhere in the middle, I guess. But I liked it overall.

12/31: Kirby’s Return to Dream Land Deluxe - I’ve been really surprised by how good this rerelease is. It kind of flew under the radar for me. I liked the original game, but at the time it also almost felt like the New Super Mario Bros. of Kirby. It was a straightforward throwback game where you went through a grass world, then a desert world, then a water world, etc., and also they added four player co-op. But returning to this one after the kinda mid Star Allies has made me appreciate just how solid RtDL is as a Kirby game. I really like the updated graphics, too - yes, even the new cel shaded outlines around the characters - even though I didn’t think it looked that great in screenshots. Also the two new copy abilities (Sand and Mecha) are fun, the minigame collection is shockingly fleshed out to the point that they could’ve sold it as a standalone eShop game, the collectible character masks are fun, and the new epilogue mode where you play as Magolor is one of the coolest bonus modes they’ve ever done. This is a top tier Kirby remake any fan of the series should check out.

Ongoing things I followed in 2023 that don't have a blurb:

Halo Infinite multiplayer

IDW Sonic the Hedgehog (main series + specials)

One Piece

Chainsaw Man

My Hero Academia (not caught up)

The JOJOlands (not caught up)

Things I started in 2023 that I still need to finish:

Freedom Planet 2

Hi-Fi Rush

Live A Live

Super Monkey Ball: Banana Mania

Star Wars Jedi: Fallen Order

Picross 3D Round 2

Rhythm Heaven MegaMix

Mega Man Battle Network 5: Team ProtoMan

Ratchet & Clank: Rift Apart

Spark the Electric Jester 3

Sonic Dream Team

One Piece (Wano arc, anime)

Jujutsu Kaisen season 2 (I’ve already read the Shibuya arc already in the manga, though)

Astro Boy (2003 anime)

Futurama (original run rewatch)

One Piece (manga reread)

The Amazing Spider-Man (Lee/Ditko era)

Scott Pilgrim series (reread)

And finally... my favorites of 2023!!!

Overall favorite game: The Legend of Zelda: Tears of the Kingdom

Favorite indie game: Pseudoregalia

Games remastered in 2023 that are now among my all-time faves: Ghost Trick: Phantom Detective, We Love Katamari

Most pleasant surprise in gaming: The Murder of Sonic the Hedgehog

Favorite film: Spider-Man: Across the Spider-Verse

Favorite live action show: Barry

Favorite anime: Pluto

Favorite anime written by a Canadian guy and an American guy based on the Canadian guy's old graphic novel series: Scott PIlgrim Takes Off

Favorite live action adaptation of an anime that I still can't believe they didn't fuck up: One Piece

Favorite Western cartoon: Adventure Time: Fionna & Cake

Favorite older cartoon I only got around to watching in its entirety this year: The Venture Bros.

Favorite documentary: Double Fine PsychOdyssey

Favorite semi-improvised semi-scripted absurdist comedy/horror/tragedy Twitch livestream performance art thing: Half-Life Alyx but the Gnome is Self-Aware finale (wayneradiotv)

Favorite manga: Chainsaw Man

Favorite older manga that I only read this year: Berserk

Favorite Western comic book: Daniel Warren Johnson's Transformers

Favorite album: HELLMODE (Jeff Rosenstock)

And that's a wrap!!!!! Happy new year, everyone! Here's to me maybe actually reading a goddamn book this year

[digi-lov]

Bandai Card Game Next Plan Presentation — Digimon Card Game

Summary and pictures under cut (sorry I'm like a week late)

Digimon Liberator

They revealed the name of the last character from promotional materials for the Digimon Liberator web comic, Close and Sunarizamon.

Part I of Episode 7 came out (today) on 10/10, and part II will be released on Thu. 10/24. (so, regular schedule)

Furthermore, chapters Debug.5 and .6 are scheduled to release mid november.

EX-08 Chains of Liberation

The trailer shows some new card illustrations, which we've known about from product descriptions: Voltobautamon, Sakuyamon X and Justimon X.

Extra Booster Chains of Liberation will release in Japan on 29th of November. This Set will include characters, and cards, we've been introduced to already through the web novel: Tyrannomon, Dinomon, Ryutaro Williams, PolarBearmon, Skadimon, and Suzune Kazuki.

After EX-07 introduced the trait NSp (Nature Spirits), this set will give it more support, as well as introduce DS (Deep Savers) and NSo (Nightmare Soldiers). From product information we can assume this set will also feature Myotismon and Plesiomon. With Myotismon and Piedmon DNA Evolving into Voltobautamon, we might also get a Deep Savers DNA Evolution.

We will also get "Shoto Kazama's New Trump Card" - MedievalDukemon/Gallantmon! This card had already been featured in Digimon Liberator web comic Episode 6. It has both [Vortex Warriors] and [Witchelny] in its traits (as well as [Warrior]) so hopefully it will see more play than the one from EX4.

BT-20 Over the X ([ɛks])

Over the X is schedule to release in Japan on January 31th 2025! Based on the promotional image, we will receive an new Alphamon Ouryuken! This set will also feature Digimon Chronicle and Digimon Seekers again!

An Image (print?) of Yuuki and Impmon will be distributed at a BT-20 release tournament in Japan.

With BT-19 having the BT-14 WarGreymon serial number card campaign, BT-20 will have one for the BT-15 MetalGarurumon. Displays will contain a code with which you can enter a lottery, and there will be 150 winners. (I would assume only in Japan)

Other Products

We got a look at the first wave of official sleeves from 2025. They will release on January 31th 2025 in Japan.

Digimon Animation Series 25th Set PB-20 got announced! Release is scheduled to be March 2025, with preorders going from October 15th (Tue) to November 14th (Thu) 2024. Includes 1 Playmat, 20 Cards (10 different Cards, each 2 copies), 50+5 Card Sleeves (for one Digimon main deck and digi-egg deck), and a storage box.

(I'll just skip the infos of japanese Tamer tournaments)

[oc-challenges]

WELCOME TO THE OC NEW YEARS CHALLENGE!

Since the winter challenges struck out, we're crawling home. Luckily, the new years oc event is here and hopefully it will be the toast of the town. So before we all have to clean the glitter off the floor after the party, we're going to hold onto the memories of 2023 and looking forward to 2024. This event comes from @aliverse (me) and @elmunson with suggestions and feedback from the OC Challenges & Potluck discord, and it spans from the 26th of December 2023 to the 1st of January 2024. With the hope that you may never become a stranger to the oc community, let's go over the rules and then get to the challenges!

Rules

DO NOT copy others edits, if you feel someone has stolen your edits, follow these guidelines!

If you are doing crossovers, PLEASE make sure that the creator of the other oc is okay with crossovers.

If you want your post to be reblogged onto this blog, it must contain the hashtag onyc23.

Feel free to ask any questions, I promise I'll stay even when your scared, and I'm lost, and you're running away.

Everything is up to the creators interpretation, although I have tried to include some examples for help!

Have fun!

Day One: What A Tangled Web We Weave

On the first day, let's take part in one of my favorite trends this year—web weaving! Weave a captivating web incorporating quotes, images, screencaps, and more for your OC. If you're not familiar with the concept of web weaving, here's an account with a lot of examples.

Day Two: I Polish Up Real Nice

Sometimes we get tired or bored of an oc or an edit, but there still things we love about them. To reignite our love for these things, we're going to revise and revamp. Choose an oc, a story, or an edit to to refine and enhance to its fullest potential.

Day Three: In My ＿ Era

On the third day, let's reflect on the defining periods that have shaped either us or our original characters. Despite the initial impression, and my well known obsession, this is inspired by The Eras Tour but doesn't have anything to do with her.. We delve into the various eras within our OCs' lives, whether categorized by tv show season, movie, age, or any other criteria you can think of. Alternatively, share insights about the current era your in as a creator, like "in my hunger games oc era" or "in my gifset era".

Day Four: Everything New

Now that the studios have stopped being bitches, we can acknowledge all the remarkable releases of 2023 (a special shoutout to the talented individuals who contributed to their excellence). On day four, craft something inspired by a creation that emerged this year, whether it's an entirely new series or just a fresh installment in an existing one.

Day Five: Don't You Forget About Me

Though 365 days sounds like a long time, it doesn't always feel that way. In the midst of our activities this year, some things may have been unintentionally overlooked. Fortunately, there's still time to make up for it. Take this opportunity to craft something for an OC that took a backseat this year, bring to life that edit you've been yearning to create all along, or share that chapter you've been gradually working on throughout the year.

Day Six: In With The New

Let's not do out with the old, but we could certainly do in with the new. For day six, introduce a brand new oc or story you hope to be your newest muse for 2024.

Day Seven: Exchange The Experience

Tidings, tinsel, and a year of beginnings. It's start of a new chapter of our lives, especially for our original characters. Be sure to celebrate this new chapter by signing up for the OC Potluck New Years exchange and spreading joy.

[gunsatthaphan]

~ Monthly BL Breakdown: July 2023 ~  

🕶️ Happy August!!! 🌻

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post!

New breakdowns are coming at the end of every month - feel free to add stuff!  -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 Be Mine SuperStar - July 3rd (Thailand) ✅

🌟 Minato Shouji Coin Laundry Season 2 - July 5th (Japan)  

🌟 Stay by My Side - July 7th (Taiwan)

🌟 Stay With Me - July 7th (China, censored) 

🌟 Senior Love Me? (short film) - July 7th (Thailand) 

🌟 Low Frequency - July 8th (Thailand)

🌟 Hidden Agenda - July 9th (Thailand) ✅

🌟 Bump Up Business - July 9th (South Korea) 

🌟 Laws of Attraction - July 15th (Thailand)

🌟 The Star Season 2 - July 15th (Myanmar) 

🌟 Wedding Plan - July 19th (Thailand) ✅

🌟 After Sundown - July 20th (Thailand, cinema-release)

🌟 Jun and Jun - July 20th (South Korea)  

🌟 Monochrome (short film) - July 25th (Thailand) 

🌟 Papa, What Is Love? Season 2 - July 28th (Philippines) 

Monthly likes/dislikes

❣️ Be Mine Superstar - once in a while a trashy low budget show comes along and hits just the right spot - this is that show lmao. I was looking forward to seeing JaFirst again but I did not expect to like it this much lol. It’s ridiculous but the kind that makes me laugh a lot. JaFirst completely reversing their roles has me rolling and is working extremely well. Love Stage vibes all around. I love it so far. 

New series & movie announcements

🎥 Night Dream - Date TBA (Thailand) 

🎥 I Love You I Kill You (novel adaption) - Date TBA (Thailand) 

🎥 Beyond The Duo (short film) - Date TBA (Myanmar) 

🎥 UniverSad (novel adaption) - Date TBA (Thailand) 

🎥 Iridescent love - Date TBA (Thailand) 

🎥 Nai Hia Bok Mai Chop Dek - Date TBA (Thailand) 

🎥 The Hell Guards (Hey Don't Mess With My Heart) - Date TBA (Thailand) 

🎥 Even If I Try To Fall In Love With You (君となら恋をしてみても, manga adaption) - Date TBA (Japan) 

🎥 Wishing Upon the Shooting Stars - Date TBA (Taiwan) 

🎥 Bad Guy My Boss - Date TBA (Thailand) 

Other news from the BL world

❗️ The following BL productions & actors won at this year’s Asia Top Awards 2023:

Ohm Thitiwat: Best Actor (609 Bedtime Story)

Tar Atiwat: Rising Star (I Will Knock You)

PeeTitle: Popularity Award (La Pluie)

Gun Napat: Best Performance in a BL (Luminous Solution) 

Mew Suppasit: Best Serial Actor (Love Me Again) 

KinnPorsche: Most Popular BL Series

❗️ Former StarHunter actor Bas Suradet (2Moons, Gen Y) has joined Studio WabiSabi, along with 4 other new faces in their New Generation Lineup. 

❗️ The novel ไหนเฮียบอกไม่ชอบเด็ก will be adapted into a series by MFlow Entertainment. Auditions are currently being held. Further details are unknown. 

❗️ The upcoming GMMTV BL Cherry Magic released its pilot trailer after an 8 month delay due to copyright issues. Workshops are currently happening. The show will likely air in early 2024.  

❗️ GMMTV announced that GeminiFourth will no longer be part of the upcoming BL/GL drama 23.5 due to changes in storylines & characters. They have been replaced by View Benyapa and June Wanwimol who will play the roles of Aylin & Luna, making it a GL-only drama. Further cast additions include Ciize Rutricha and others. 

❗️ Actor Tul Pakorn (Together With Me, Manner of Death) announced his retirement from acting as he is pursuing a career in real estate in New York after getting his master’s degree. 

❗️ The upcoming Domundi BL Middleman's Love has started workshops. The show will likely air towards the end of the year. 

❗️ The Japanese BL Ossan's Love is rumored to get a third season which will likely premiere in January 2024. Further details are unknown. 

❗️ The Norwegian web series SKAM (2015-2017) will get a Korean adaption called Skam Korea. The series has a total of 7 remakes from 6 European countries + the US. Auditions are currently being held. 

❗️ GeminiFourth announced that they will be starring in another BL series which will be a novel adaption. Further details are unknown. 

Upcoming series & movies for August

👉🏻 Stay Still - August 1st (Hong Kong) 

👉🏻 Sing My Crush - August 2nd (South Korea) 

👉🏻 The New Employee (movie version) - August 3rd (South Korea) 

👉🏻 Love in Translation - August 5th (Thailand) 

👉🏻 My Personal Weatherman - August 11th (Japan) 

👉🏻 Love Class Season 2 - August 11th (South Korea) 

👉🏻 Only Friends - August 12th (Thailand) 

👉🏻 Friend. Boy Friend - August 19th (Thailand) 

👉🏻 Lucky Love - August 20th (Thailand) 

👉🏻 My Universe - August 20th (Thailand) 

👉🏻 Kiseki: Dear to Me - August 22nd (Taiwan) 

👉🏻 Why R U? Korean Remake - August 24th (South Korea) 

👉🏻 Crazy Handsome Rich - August TBA (Thailand) 

[scotianostra]

Happy birthday Scottish TV host and entertainer Craig Ferguson born in Glasgow, on May 17th, 1962.

Ferguson was born in Stobhill Hospital and brought up not far from where I now live in nearby Cumbernauld. He admits to growing up "chubby and bullied" At age sixteen hen left Cumbernauld High School and began an apprenticeship to be an electronics technician at a local factory of American company Burroughs Corporation.

In the early 1980s, Ferguson drummed in punk bands for a few years before a bartending job led him to Michael Boyd, the artistic director of the Tron Theatre. Boyd talked Ferguson into giving acting a shot, which Ferguson soon did, finding the comedy prong of the art too compelling to ignore.

Ferguson soon created an outrageous—and successful—stage character called Bing Hitler. On top of the local success he was experiencing, Ferguson used the experience as a backdrop from which to move into mainstream acting roles.

Craig Ferguson’s first TV appearance came on an episode of the sci-fi sitcom Red Dwarf in 1988, and it was enough to get Ferguson to head overseas to the United States for his first role on American TV. The part was playing a teacher in the pilot episode of High (1989), which starred Gwyneth Paltrow and Zach Braff. The pilot wasn’t picked up, though, and Ferguson headed back to Scotland.

Once back in the UK, Ferguson found that roles came sporadically before he landed his own BBC show The Ferguson Theory in 1994 While the sketch comedy show put the funnyman front and centre, it only lasted five episodes.

When Theory was no more, Ferguson packed his bags once again for America. But this time he’d find a lot more success waiting for him than he did years before. When Ferguson joined The Drew Carey Show as Nigel Wick in 1996, his run lasted several seasons and led to the actor becoming a known quantity in the world of U.S. television.

Ferguson’s busy life on TV and the big screen got a lot busier in January 2005, when he took over the late-night comedy series The Late Late Show. Once it found its footing, Ferguson’s show was another hit, earning its first Emmy nomination a year into its run. Mixed in with his work on the show were several high-profile big-screen roles, often voice-over work, in movies like How to Train Your Dragon, Winnie the Pooh and Brave.

Ferguson, who became an American citizen in 2008, is also an author, publishing Between the Bridge and the River and American on Purpose.

On 28 April 2014, Ferguson announced he would be leaving The Late Late Show at the end of 2014, with the final episode airing on 19th December that year.

Ferguson is a recovering alcoholic, sober since 18th February 1992, another Scot who has dealt with his depression, he admits to having considered suicide before giving up the bottle.

In 2017 he released a six-episode web show with his wife, Megan Wallace Cunningham, titled Couple Thinkers. For two seasons from 2021, Ferguson hosted the American game show The Hustler, which airs on ABC.

In 2022, an adaptation of Ferguson's film Saving Grace (2000) was announced as a stage musical in which Ferguson will portray a "villainous banker". It was adapted by April De Angelis from Ferguson's and Mark Crowdy's screenplay, with music by fellow Scot KT Tunstall. In October 2022, the musical was confirmed to run for a limited twelve performances at Riverside Studios from 22 November until 4 December 2022 as an "intimate first run.

The rumor mill has been buzzing that Craig is thinking about returning to the talk show ranks In a recent interview he said;

“I have meetings next week in Los Angeles for a show,” Ferguson said, calling from New England while on vacation with his family. “I’m considering doing a show but I just don’t want to do one every day. I like doing a talk show, but not enough to do it every single day.”

[yurimother]

Crunchyroll Licenses 'The Magical Revolution of the Reincarnated Princess'; Series Debuts Wednesday

On Tuesday, Crunchyroll announced that it has licensed the isekai Yuri anime The Magical Revolution of the Reincarnated Princess and the Genius Young Lady (Tensei Ōjo to Tensai Reijō no Mahō Kakumei) and will steam it as part of its Winter 2023 simulcast lineup. Crunchyroll will stream the series in North America, Central America, South America, Europe, Africa, Oceania, the Middle East, and CIS.

The anime will premiere in Japan on January 4 on AT-X, Tokyo MX, TV Aichi, Kansai TV, and BS11. Crunchyroll will release the first episode for streaming on January 4 at 6:00 PT.

The Magical Revolution of the Reincarnated Princess follows Princess Anisphia. Despite having no magic aptitude, she uses her memories from a former life to develop the magical theory of "magicology." When she witnesses her brother, the crown prince, cruelly strip his betrothed, Euphyllia, of her rank and title, Anisphia vows to restore her honor and recruits her as her assistant.

The anime is based on the light novel series by Piero Karasu. Shingo Tamaki directs the anime at Diomedéa. Naomi Ide is in charge of the scripts, with character designs by Naomi Ide.

The series stars Sayaka Senbongi and Manaka Iwami as Anisphia and Euphyllia respectively. They also perform the ending theme "Only for You." Additional cast includes Ai Kakuma, Shogo Sakata, Yuu Sasahara, and Hina Yomiya.

The opening theme, "Arc-en-Ciel," is performed by HaNaTan.

The Magical Revolution of the Reincarnated Princess began as a web novel on Shousetsuka ni Narou in 2019. Fujimi Shobo acquired the series and began publishing the light novels in 2020. The sixth volume will be published on January 20. Yuri Kisaragi illustrates the light novels.

A manga adaptation of the series illustrated by Harutsugu Nadaka began serializing in Dengeki Maoh in July 2020. ASCII Media Works' publishes four volumes of the manga in Japanese. The light novels and manga are licensed in North America by Yen Press.

Look forward to the anime series premiere on January 4.

[park-jaechan]

'Semantic Error: The Movie,' which became a social phenomenon in South Korea, will be released in Japan as a two-part series

After being streamed on the video streaming service 'WATCHA' in South Korea, people quickly fell into the chemistry of the two lead actors, leading to a massive response and causing a social phenomenon. The 'Semantic Error: The Movie,' which has rewritten the history of Korean boys' dramas, is set to be released in Japan as a two-part series in January 2024. Exclusive web previews and scene photos have also been revealed.

The story begins with the report of the brilliant and perfectionist university junior, Chu Sangwoo (Park Jaechan). Charismatic and carefree, Jang Jaeyoung (Park Seoham), the most popular student in the school, unintentionally misses graduation from university.

In retaliation, Jaeyoung plays pranks on Sangwoo, entangling him, and in Sangwoo's meticulously calculated daily life, much like computer programming, errors begin to occur.

The charm of this work lies in the perfect chemistry that emerges from the characters of the two protagonists, who are complete opposites, and the synchronization between the actors Park Jaechan and Park Seoham. From their worst encounter, they clash, become attracted to each other, and realize their feelings for one another, setting off a whirlwind of love.

The newly released preview reveals Sangwoo saying, 'Please don't contact me anymore' with an unhappy expression, while Jaeyoung, even when paper is thrown at him, remains calm, offering a glimpse into the completely contrasting relationship between the two.

In the latter part, there are scenes filled with 'heart-fluttering' moments, such as the two holding hands and running, capturing the moments leading up to the start of their romance. The preview leaves viewers intrigued, imagining how the completely opposite pair will deepen their relationship.

Furthermore, the released still photos depict a romantic moment between Sangwoo and Jaeyoung as they gaze at each other against the backdrop of a sparkling night view. In South Korea, a special poster based on this scene was created for the theatrical release, becoming a beloved moment among fans who showed enthusiastic support.

'Semantic Error: The Movie Part 1' will be released nationwide in Japan starting from January 12, 2024, and 'Part 2' will follow on January 26, 2024.

Source: 韓国で社会現象化「セマンティックエラー」劇場版、前・後編2部作で日本公開へ | cinemacafe.net Translated by Park Jaechan Updates

[atamatajiih]

To Hazbin Hotel fans and haters alike, a reminder: you hold very little power over this thing's success and you shouldn't really worry about that either

The web-show pilot turned Amazon Prime animated series Hazbin Hotel by Vivienne Medrano/Vivziepop is scheduled to finally start airing next January after a very long wait since the pilot of the show was first uploaded to Youtube. There's a big crowd who are looking forward to the show, both fans who are eager to spread the love and dedicated haters who are waiting to rip this show to pieces.

I'm not really gonna pour over the reasons why this show has such a strong fanbase and hatebase, because the reasons aren't really important to this message/call out/shout into the void. Good thing is that love is just hate turned inside out and vice versa so these two feelings have a lot in common! To be more specific, both of these emotions require heavy emotional investment. And, as someone who has largely watched The Great Vivziepop Discourse from the sidelines, I can definitely say that both sides are extremely emotionally invested in this show. People who love it really love it and people who hate it really hate it.

Just as I am not gonna go over the reasons people might love or hate Hazbin Hotel, I'm not gonna tell anyone how they're supposed to feel about the show. Whatever your thoughts on Hazbin Hotel are, they're totally valid. Instead, now that the show is only about three months away, I think both fans and haters need to start internalizing one thing about the show before it releases and the floodgates truly open:

You do not have any power to affect the success of this show.

A simple thing, no? Obvious one might even say. And yes, you'd be right. Most people, when they have feelings about a thing, can accept that it's success, or lack thereof, is wholly independent of their own actions. A show doesn't succeed or fail because you, as an individual, choose to support or not support it.

But the thing is, when you become very emotionally invested in something, you start to imagine things. Fantasize a bit about how you'd wish for things to go. And if the posts I've seen online from both fans and haters are to be believed, both groups have stacked a lot of hopes and dreams on how this show's big debut will go.

On one side, Hazbin superfans have painted in their minds a scenario where Hazbin breaks all the records, wins all the prizes, Vivzie becomes the Hayao Miyazaki of indie animation and the Hazbin criticals get owned so bad that they shrivel into dust.

On the other, the Hazbin Hotel criticals have written in their mind another scenario: A24 despises the show, the whole thing falls apart under it's creator's lofty ambitions, the entire Hellaverse universe comes to an embarrasing end, Vizie becomes a pariah and the Hazbin superfans get owned so bad that they shrivel into dust.

And while there's nothing wrong with some flights of fancy like this, the problem is that it seems like both groups are so sure, so absolutely certain that their favored scenario comes to pass, that they have started to essentially treat it as fact, lambasting the other side for being delusional in the face of obvious facts. All of this ignoring the fact that, frankly, both sides are talking out of their ass. The only party involved in this who actually gets to decide whether this show is a success or not is A24, since they now own the series. What anyone else tries to tell you about how the numbers line up is at best making an educated guess or at worst talking nonsense. The circumstances that allowed show X to succeed or show Y to fail are not something you can actually use as a measuring stick when it comes Hazbin Hotel. The measure of Hazbin Hotel's success is not something that some rando on the internet can claim to be an authority on.

Now, this isn't to say you can't have any influence on the show's viewership numbers. A popular post on social media or your talks with people you know IRL can certainly influence a small number of folks to watch or drop the show. However, the actual impact these actions have is breathtakingly small. My current team at work has about 12 people in it and I'm not at all convinced I could easily sway all of them to watch or not watch a show. The exact numbers are all over the place, but Amazon Prime subscriptions seem to be somewhere in the ballpark of 200 million. That's, well, a really big amount. And I feel most of us realize that even the most popular, record breaking post on tumblr is probably not gonna be enough to sway 200 million people into your preferred opinion on Hazbin Hotel. If that huge mass of people has enough people who want to watch Hazbin, you'll have no choice but to accept that. And if that mass doesn't have any people who want to watch it, you'll have to accept that too.

Everything I've said is probably painfully obvious to people, but I have seen both of these groups get incredibly invested in their dream scenarios for how how the big Hazbin Hotel debut will go down, I am starting to really be worried about the folks who will inevitably have their dream scenario come crashing down before their eyes. And someone must, when the possibilities being proposed are either historic success or catastrophic failure. That's why, regardless of which side you're standing on when it comes the Discourse, I am urging all of you to start emotionally distancing yourself from this show, at least to the extent that you can accept the show's actual reality without having feeling emotional anguish. Because placing this much emotional weight on the success of a TV show, something that again, is completely out of your power to meaningfully affect, is just not healthy to you. Whether you love the show or hate it, please start processing the possibility that your desired outcome for it may not come to pass. Entertainment industry is a fickle business and really, as a viewer it's not even your job to really care about how a show is doing, that's the burden of the people working on it. All you need to do is sit back, relax and let your heart fill with love and/or hate. Not to mention the success or non-success of a show isn't even that conductive when thinking about a show critically. A successful show simply means it is popular, it doesn't mean it's good. Is your Hazbin hating heart really gonna step aside and not enjoy ripping this show a new one just because it made money? And of course, vice-versa for the Hazbin stans! Everyone knows tons of great fiction goes underappreciated by the masses, are you really gonna stop filling the internet with your endless gushing and adoration just because enough normies didn't like your hell cartoon?

So, really this heavy investment both sides of the discourse have for the show's future success is kinda preplexing. Discourse is about whether something is good or not! And sales and viewership numbers should barely be a footnote when it comes to that discussion. There's so many more interesting things to dissect in a show. TL;DR: Whether you love Hazbin or hate it, none of us individually can actually tangibly affect Hazbin's financial success, so it's best you stop making up scenarios about it in your head and getting invested in them + it's not like financial success actually matters when you wanna talk about the show's actual quality.

[drifting-pieces-blog-blog]

Breaking down the comics: A New Past (Vol 3, Issue 1-3)

Marc Spector: Moon Knight Vol 3

So this follows right after the OG run. We left behind Moench and Zelenetz. 

Now we run into a new group of writers and artists. 

Writers: 

Chuck Dixon, Mike Baron, Howard Mackie, J.M. DeMatteis, Al Milgrom, and Bruce Jones

Artists: 

Sal Velluto, Bill Reinhold, Russ Heath, Mark Bagley, Ron Garney, J.J. Birch, and Denys Cowan. 

A whole group of names that aren't that common place. Which is a pity because they did an alright job! 

When you look at the Omnibus, you also get a content warning! 

"This content contains Depictions of racism, sexual assault and suicide. Reader discretion is advised. If you are struggling with thoughts of suicide, or are worried about a friend or loved one, please reach out to a counselor or someone you trust or Dial 988 for the suicide and crisis lifeline." 

A bit of history: The crisis line was created in January 2005. 

Since the first Marc Spector story came out in June 1989, it's safe to say this is a late Marvel addition. Hidden in moderate font on the credits page. This Omnibus book was published in 2023. A lot of new books that contain old content contain these new warnings. 

I highly respect the Marvel publishers for the singular reason that when they re-released older content, they recognized the problems in them and rather than correct, censor, or hide them, they kept it as a piece of history and slapped a content warning on there. 

ANOTHER interesting fact, when looking at the Omnibus, you get to see the dates. This series of Moon Knight ran from June 1989 through 1994. 

It was ongoing and takes place after the West Coast Avengers, which technically took place directly after Zelenetz left, but I'm going to skip over that for now. 

I doubt very much I will really cover West Coast Avengers (1987-1989, starting with issue #21 and ending with Issue #41). I might touch on it a bit later, but I was never really a fan. Plus he mostly just kinda pops in silently in the background with most of them. 

Now, this was an interesting time in the comics. The early 90s saw things take a drastic turn towards EXTREME. The 90s were a new target audience, a new decade, and the world was changing. 

The cold war came to an end at the end of 1991, but the Gulf War started in 1990. 

Comics were suddenly competing with and trying to get a foot in on Television, which was suddenly a household thing and latch-key kids wanted something to hold their attention. 

Now, the Marc Spector series has recently been released in Omnibus volumes. Vol 1 holds issues 1-34 with excerpts from Amazing Spider-Man #353-358 and specials including 'Divided We Fall'

Terry Kavanagh kicks off with Omnibus Vol 2 and that name should start to look more familiar. He worked on Spider-Man for a long time and X-men along with Avengers, Iron Man, and a lot of big crossovers. 

Vol 2 holds Issues 25-60, a Moon Knight special, more Spider-Man crossover "Web of Spider-Man #93-94, and some Moon Knight from 1998-1999!  (The Omnibus comes out this March 5th, 2024 if you're a collector!) Since it's not out yet, I'm going to be starting with Vol 1 for now. 

What's interesting is that the series 'Marc Spector' ends with Marc's 'death'. 

So what happens to Moon Knight after that? The king himself, Moench returns to resurrect Marc Spector for a second time in a 4 issue special. 

In fact, Moench returns for the whole Moon Knight Vol 4 and 5 (1998-1999) mini series, each one 4 issues long. 

Things had to be fixed after how it all ended, after all. 

I'll cover the Moench specials later. 

I’ll be honest. I’ve been putting off the 90s runs. The 90s were not exactly my cup of tea when it came to Marvel comics. I was more of a Batman fan (with a few notable exceptions). But as I’ve mentioned many times… My memory is pretty shit so maybe I’ll get into it and be happily surprised and enjoy myself more than I think I will.

 So let’s get into it! 

Let's start with Issue #1! 

Marc Spector: Moon Knight. Issue #1: New Moon. 

Written by Charles Dixon

Art by Sal Velluto

We open on Long Island. We see someone doing a 3am diaper run and stopping at an ATM first. 

Two thugs sit in a car on the corner waiting. They spot the poor sleepy dad and decide he'd make a nice cash grab. 

They hold him up at gun point and demand he take out the max. 

Well... One holds him at gun point. The other rips the door off the man's car for some reason. 

Hey look, It's our man! 

Now, remember, Moon Knight has been out of New York for a while with the West Coast Avengers. We're picking up here right after he left them. 

Moon Knight casts his shadow on the villains. 

"You boys forget your bank cards?" 

"It's a ghost!" 

"I've been away too long. You guys don't even recognize me." 

"It ain't no ghost, Rocket scientist. But he's gonna be one." 

Title card: NEW MOON. Beginning a new series chronicling the adventures of Marc Spector.

You know, the art here really brings to mind early Sienkiewicz Moon Knight. The dramatic leap that leaves his ass out. The awkward stances, the action kicks, the clenched fists... Maybe the poses are a LITTLE more awkward than Bill gave Marc credit for, but I'm loving the clean lines and shading. 

Plus, Do I spy a crescent dart upgrade!?

Marc quips “After all of the high-powered weirdos I fought with the West Coast Avengers… It's good to be back on home turf kicking the rear ends of a few AVERAGE lowlifes!"  

Marc has always loved beating on common thugs. He so often fights supernatural brutal muscle bound villains. When he gets a casual robbery, he’s almost giddy. 

Notice I’m saying Marc here a lot. 

When Moon Knight joined the Avengers on the West Coast, we did not see any sign of Jake or Steven. We know from the OG run that Jake doesn’t leave New York. And I suspect that Steven has never played well with the Avengers or team ups of that sort. 

Perhaps we had Moon Knight as himself, but it’s clear from the title of this series that we’re going to be getting Marc Spector himself and the writers that will be working on this are most likely not comfortable working with Friendly and Loving Jake and Generous and glitzy Steven. Of course the wild and extreme early 90s is going to focus on Marc. And thus we start down the LONG and drawn out Moon Knight tradition of forgetting that he has DID with other Alters and not just Schizophrenia with a ‘pretend’ identity crisis. 

But I’m going to take this down a different path and we’re going to look at this as Marc falling into the trap of his usual denial and trying to get his life together by holding front so hard that you’d have to literally pry it out of his cold dead fingers (ha ha, we’ll get to that later). 

Anyways, back to the comic. The thugs are subdued and the poor sleepy dad man thanks him "You're Moonbeam, aren't you?" 

"Moon KNIGHT, pal. I have been out of New York too long." 

Marc ties up the thugs and tells the guy to wait there for the cups. He radioed ahead to them before he dropped in. 

The chopper arrives and Marc gets on the ladder and takes off with the most awkward: 

"There they are now. Take it easy, Citizen." and he salutes. 

Yeah.... It's Marc. Without a doubt... No one could be that awkward but Marc... 

On the chopper, Frenchie has also taken note of the moment. 

"'Take it easy, Citizen?'"

"Aw, lighten up, Frenchie." 

Marc takes off the mask and relaxes back next to Frenchie in a really weirdly designed chopper that looks more like a hover car than anything... But sure. Upgrades! 

"Y'know, Frenchie... I think the guy I saved down there was more afraid of me than those hoods." 

"Is that not the reason for the costume?" 

"Sure. But I don't want the innocent to fear me." 

"The innocent will fear you most of all." 

"I should have shaved. This mask chafes my face something awful." 

Marc... 

It is very nice to see them actually talking, though. You never got to see Marc and Frenchie actually be the friends they were supposed to be. And Marc is never more relaxed than when he's with Frenchie and they can talk about the past without worry. 

"Crime fighting doesn't seem to suit you these days, frenchie." 

"It is a waste of our talents, Marc. We could have easily strafed those dogs out of existence." 

"We're not mercenaries anymore. We can't just make things up as we go along. We've got rules in this country, m'man." 

"Then I do not like the rules." 

"Live it or live with it, Frenchie." 

Now this is interesting because this is the first time that we really get a feel for what Frenchie thinks of all of this superhero business. 

We know Frenchie was a Legionnaire, we know he was a very GOOD mercenary that helped recruit Marc in the first place, and that his talents are with vehicles. 

We also know that Frenchie had strong opinions on the work he took (as seen in the very first issue when he came to Marc to complain about Bushman's sketchy business). 

But Frenchie ALSO was very attached to Marc and followed him without question. 

So here we have Frenchie noting that picking on thugs is far below what they are both capable of. 

Just an interesting tidbit. 

Another interesting tidbit is that we see the Mooncopter landing back at Grand Mansion and Marc notes that he was able to buy it back after returning from West Coast Avengers. 

"At TWICE the amount you sold it for, Marc." 

"You're on my case tonight, Frenchie." 

We get a little map of where the mansion is on Long Island and that the current Market Value is $5,890,000. Which.... In today's currency is: $14,649,807.50 today!!!!!! 

Here’s a pretty cool design of the mansion with fun facts! 

Now what's interesting is that we see Marc returning to an empty mansion. Just him and Frenchie. No Marlene. No Samules the Butler or Nedda the cook. 

The phone rings from an unlisted number and when he answers, no one says anything. 

Angrily, he hangs up and we get a view of a woman on the other line saying "He's home. We got the right number." 

This explains why we are getting blueprints of the moonchopper and the mansion and map of Long Island. Someone's looking for Marc.

Marc does Marc things and wanders the mansion a bit and starts talking to the Khonshu statue. 

It's time for the Marc Spector Recap of how he became Moon Knight! (remember, this is issue #1 so it's a good place for new readers to pick up a new comic. You'll often find recaps and deep character introductions in 1st issues.) 

"Past four in the morning and all the sane people are in bed. It's all YOUR fault, Khonshu. You got me into this. God of the moon, taker of vengeance.

Actually I got me into this when I hooked up with that crazy Bushman back in my mercenary days. Now THERE was a prime psycho.

Killing is a part of any war, but Bushman got off on it. I tagged along until he killed Dr. Peter Alraune, an American archaeologist, and it looked like his daughter was next. 

I helped Marlene escape and then challenged Bushman in hand to hand combat. Not one of my brighter ideas.

He left me for dead and he was just about right! Somehow I managed to make it to the digs that the doctor was trying to protect... The Shrine of Khonshu. 

Marlene tells me I 'Died' there and was revived by the spirit of Khonshu. 

I wrapped myself in Khonshu's shroud and, from that night on, I took on the mantle of Moon Knight." 

Oh Marc... You would tell it like that. 

Marc heads up stairs to bed (tossing his cape on the stairs as he goes) and when he enters his room someone jumps at him. 

Marc fends them off, elbowing them and then flipping them onto the bed. 

Oh hey! It's Marlene! 

And she's already half undressed. Welcome to the 90s! 

"You play a little rough, cowboy. I think you broke one of my nails." 

"What did you expect sneaking in here like that?" 

"Well, there was no one home. I thought I'd surprise you." 

"Mission accomplished, Baby." 

"Not so easy the way you have this place wired. But my sneaking skills needed a workout anyway, so...I thought I'd come see you. It's been so long, and I thought I'd take a chance..." 

And the two goof off a bit then we have implied hanky-panky as the scene cuts away. 

I have well known mixed feelings about Marlene. And with Marc now running the show, it's interesting that she'd come back, considering her feelings on Marc vs. Steven. More interesting that he left her behind. 

We cut to Manhattan and find two guys in Hawaiian shirts at a large computer terminal (gotta love those 1980s thick monitors). They're celebrating because: 

"We got this Moon Knight guy blued, stewed and tattooed! We know more about him than he knows about himself, Tector! 

Yuh done good, little brother. You worked some real magic with that keyboard. Our bossman is gonna be so proud." 

And the boss steps in, asking if they have found him yet. 

"Tector's digging up more data on his home security system. So far it looks like a hummer! Bet the Kremlin in Russia ain't got so fine a wire job, boss." 

And we pan out to find the boss: 

Alright, he’s upped his style and given himself a new title. I appreciate the new look. They kept it authentic to the original Bushman and also added in their own artistic style and I dig it. Not sure about the new outfit, but who am I to tell our delusional bad guy how to dress? 

"I want projections on the best way to approach Moon Knight. I want his weaknesses exposed to me. This information is vital to my nation's security, Lyle. You will have it by morning." 

Good to see he's still absolutely obsessed with Marc. 

And that since we are starting Marc Spector Issue 1, we are going back to the original with Marc's own personal villain, Bushman. 

I have a lot to say about Bushman, and I'll save it for the end. So stick around! 

Back at Spector Mansion...

It actually says "Spector Mansion." 

Another interesting detail because the OG ALWAYS called it Grant Mansion. 

Marlene wakes up to find Marc working out in his gym. 

"You know, Marc, I'm kind of surprised you're still doing the Moon Knight thing." 

"You have a problem with that, Marlene?" 

"Why do you do it?" 

"I want to do like that dog says on TV. 'Take a bite out of crime'." 

(Scruff McGruff. You were a weird part of my childhood). 

They argue about letting the police do the work and Marc argues that the police can't be everywhere and do everything. 

(That style though.) 

"You used to fight a more noble battle." 

"I was a Mercenary, for cryin' out loud." 

"Don't play the cynic with me. You weren't in it for the cash. If you were you wouldn't have pitched in on the losing side so often." 

"I LIKE long odds." 

"You're impossible!" 

"And YOU are getting more like Frenchie. I get the feeling I'm outnumbered around here." 

This is an interesting conversation we keep getting here from both Marlene and Frenchie. That they think he was better as a Mercenary but he argues that his Mercenary work was not good for him. 

Marc says he's starving but that he gave the cook the week off. 

Marlene asks how Nedda is. 

"Oh, I retired her to my condo in Boca Raton. I never go there anyway. Chloe's the new cook." 

"What's she like?" 

"Not terribly attractive. She's older than Moses and has a mustache that Frenchie's jealous of." 

"Marc, you're terrible." 

And then Chloe walks in unexpectedly. 

(Alright. It’s going to be like that. Welcome to the 90s.) 

Yep. 

Down in the chopper area, we find Marc now working on the chopper for once. 

Come to think of it, in the OG, it was ALWAYS Frenchie up working on the chopper. But then again, it was always Steven at the mansion. Now that Marc is out and about, he's the one tinkering about. 

"YOu're working down here late, Marc. Didn't I see Marlene earlier?" 

"Sure did, Frenchie. We have resumed our stormy relationship. She got an eyeful of Chloe and I sent her packing off to the mall with my goldcard to smooth things over." 

"Americans... You fight with your women because you don't know how to love them." 

Ah, Frenchie... 

They are interrupted by a frantic call on the radio from Marlene. She's driving on the highway and she's "Under attack"! 

I am pleased that the writers remembered that Marlene knows how to handle herself. She was trained by Marc, after all. She can shoot, fight, and drive. She’s no damsel in distress. 

Marc shows up and finds the car empty. He attacks the remaining gun-men and demands to know where Marlene is. 

"Spector, are you STILL parading about in that ridiculous costume?" 

"You're one to talk about taste in clothes, Bushman." 

"Amusing, Spector, you always were a glub one." 

Bushman holds Marlene at knife point (Speaking of damsel in distress) and demands that Marc meet up with him later tonight to find out what his demands are. 

He then shoots one of his own men just to prove the point that he's still a vicious cold blooded killer, then he drives off in a classy car with Marlene. 

Marc is...less than happy about this. 

"You're a dead man, Bushman. You just don't know it yet." 

TO BE CONTINUED. 

I’m not going to make you wait. Here you go!

Marc Spector, Moon Knight: Issue #2: Hunter’s Moon. 

Written by: Charles Dixon

Art by: Sal Velluto

Alright, Apparently Spider-Man is going to be in this one. This is going to be interesting. 

We open back up in Manhattan. 

We got three nerdy looking guys on a roof across from the Excelsior (Fancy hotel) with a telescope spying on the guests. 

While fighting over the 'scope, they happen to catch a glimpse of 'a ghost'. 

Yeah, he's being real sneaky there. 

So there he is... at the Embassy of the Republic of Burunda. This is Bushman's new country that he has made himself 'President' of. 

Marc notes the place looks pretty well armored and guarded. He has Frenchie up in the sky as usual. 

"I'm WAY behind on my current events. I didn't know that Bushman had set himself up as the strongman in Burunda." 

"I saw it on sixty minutes. Forgot to tell you." 

Frenchie suggests waiting for Bushman to call and tell him what he wants, since they aren't even sure if Bushman has Marlene in the embassy. 

Marc says Bushman enjoys always having the edge, including diplomatic immunity. There's no way he's going to wait. 

Hey look, the tech brothers from before are back! 

They have caught sight of Moon Knight on their CCTV cams. 

Bushman decides to send Marc a message. 

"Spector must be discouraged from coming near the embassy again. He must meet my demands without question. Is that CLear, Mister Glitch?" 

While Marc tries to track someone leaving the Embassy, Bushman sends his personal bodyguards after him. 

HEY. Remember the warning at the top of this collected run? The one about racism and other things? 

He puts up a fight, telling Frenchie to stay on the guy leaving the embassy. 

Marc puts up a fight and jumps around building to building until he gets ahead. 

Spider-man happens to be swinging by and notices Marc's group. 

"Now there's something you don't see everyday... A bunch of guys dressed like Tarzan extras running into central park after midnight." 

Spider-man follows and good ol' Peter Parker takes out the camera to catch some shots of Moon Knight in action. 

"They seem to be after the one in the cape. Might as well take some pictures to sell to the paper. This guy sure doesn't need MY help. Say "Cheese" everybody." 

Marc takes out the last of the group and continues his chase. 

"Moon Knight, huh? I thought he was in California. Well, off to the darkroom. And thanks for the help with the rent, Moonie!" 

And Spider-man heads out. 

(I've talked about 'special guest appearances' in comics before. It's a big show to get people to buy and read the comic and try to convince new fans to come in. You're lucky if they are in the comic for half a page.) 

Marc is back on the tail of the guy and he meets up with him. 

He tells the guy they need to talk and then...He knocks him out with knockout gas. Wh...Why? 

Maybe the guy wanted to talk? Why are you knocking out and kidnapping a guy before you even find out if he has the info you need?! 

....Back at the Embassy, we find Marlene is inside and not happy. 

People forget that while Marc has a grudge and hate of Bushman, Marlene is the one whose father was killed by him. 

He tells Marlene that he's a man of the people, HIS people, and unfortunately his people are very poor. It seems he expects Marc to fix that situation. 

Back to Marc and his poor decision making skills... 

We find the man he's kidnapped waking up... and dangling upside down from the moon chopper. 

Not going to lie, his little wave in that first panel is sending me. 

So it seems Bushman wants ten million dollars. Lemme just get the conversion calculator out: $25,456,099.59. 

Yeah. I'd want that much too. 

"He wants it in one week or he'll chop the girl to pieces." 

"And where am I supposed to get Ten Mill?" 

"Find a way! The General knows you've got the money!" 

"I don't like what you had to say, Buddy. Have a nice fall." 

And Marc pushes him out of the chopper. 

Lucky for the man, Frenchie had bought the chopper down and the man only falls a couple feet. 

He tells the man to tell Bushman that he'll be in touch. 

Next up? Marc goes to see his accountant! 

"You don't have ten million bucks lying around in 'sacks' somewhere." 

LOL Marc... 

"Your money's tied up in real estate and business interests and your art collection." 

"So SELL some of the paintings. Sell some of my business interests." 

"What wuld you like me to do? Hang a garage sale sign on the mailbox? 'Picasso for sale, CHEAP'? And as far as your business interests go, they're just that: INTERESTS. You have partners in these ventures that you would HURT by liquidating in a big hurry--Not to mention the employees." 

Steven is in there having a FIT right now. 

I'm dying right now because I was JUST talking to someone about how clever Steven was with their money and how Marc has no idea what he's doing with money and probably took two days to lose it all in the current run. I’d like to amend my statement to say he’d lose it in two hours. 

"I don't know what you need the money for, it can't be anything Kosher, Marc. But we just can't swing it." 

Marc apologizes for losing his temper. The accountant leaves and he tells Frenchie the bad news. "I'm what they call cash poor." 

Oh Marc... Is... Is that a Khonshu bust on his desk? Wh... 

"That's the bad news. The good news is that we get to do this MY way." 

Marc... 

"And this time I go alone." 

Back at the Embassy, we see a "Empire Cable commercial repair" truck pull up. A guy gets out and goes up to the gate. 

Oh no. Is he doing what I think he's doing? 

MARC. 

The guard says he can't let anyone in without varifying first. The General is busy and doesn't want to be disturbed so "I will call your company." 

So he calls the number on the truck, which would not verify anything if this was a guy trying to sneak in. But what's logic for you? 

And GUESS WHAT. The number goes to Frenchie putting on an accent. 

He verifies the job and sends the cable repair guy in with another guard. 

Once inside, Marc knocks out the guard with chloroform (Why does he had so much chloroform?) and rushes off, leaving the body in the middle of the floor. 

And the tech brothers sure as heck notice a strange guy running around on the CCTV cameras. 

They call the front gate and have a thing or two to say about a 'cable repair guy'. 

Marc starts just opening random doors looking for Marlene. 

A couple of guards spot him and Marc knocks them out. So much for his disguise. 

Back in Moon Knight attire, he runs down the hall. The tech guys decide to take off. They know a bad fight when they see one coming. 

Marc continues his quest of opening EVERY door he finds while yelling "MARLENE!" 

SIGH. Marc… This is why you need Steven and Jake. Just putting that out there. 

So Marc beats up all the big buff gym boys. 

I appreciate that they at one point get the upper hand and pin him down while beating him and Marc just goes "You'll have to do better than that" after taking a few hard hits. 

Marc really does not treat the body well. 

He asks the last guy where Marlene is before knocking him out. 

He busts in so hard that I’m tempted to count it on my “jumps through window” tally. 

(Look at this dramatic idiot. This is the biggest wet cat yowling energy I’ve ever seen.) 

SO he busts in and is met with a SAW-esque situation with Bushman on TV. 

Bushman tells him he had to fly back to his homeland on urgent business and he's taken Marlene with him. 

TO BE CONTINUED. 

At the end of the issue we have a "Let's meet the team" afterward and we get to learn a little about the new group working on Moon Knight. 

It's very brief. Mostly it's just how old they are, if they are married or have kids, and a few previous comic names they have worked on. 

I'm going to be frank with you here. If you've been reading my other reviews, you have an idea on what's been going on in Marvel during this time and WHY Moench isn't writing Moon Knight at this time. 

Marvel comics had just had a huge upheaval of all their major writers and artists due to disagreements with the editor in chief. So these are a lot of young guys that are coming in off of low name comics. 

ALSO none of them talk about why or how they got placed into the Moon Knight run. 

So my big question is why don't you think of these guys when you think of Moon Knight? I can name SO MANY writers and artists from may different runs that were amazing or terrible. Or even just mid. But these guys? Not even a blip on my chart. 

Clearly Chuck Dixon had Moon Knight for more than just a guest writer or special. 

Doing a little background look into him, he was best known for Punisher and DC comics like Batman, Nightwing, and Robin in the 1990s and 2000s. 

He got his start in the big leagues with Conan and worked his way up to Marc Spector: Moon Knight. After that, he started on Punisher and Punisher war Journal. DC got their mits on him and he became "DC's most prolific Batman writer in the 1990s". 

So yeah... Despite working on Moon Knight 1989-1992 for 25 issues... He just isn't a big name for the comic. 

And honestly, the Marc Spector Moon Knight run was often considered very MID. Not outright terrible, but very directionless. It existed and left very little impact on the series. 

I'll give it credit that it DID at least keep the series going and allow it to reboot again later instead of just disappearing forever. So thank you for that! 

But… I remember that Zelenetz had an interview where he talked about where he had wanted to take Moon Knight after Vol 2 ended, but he was no longer on the project. Now I can’t help but wonder what would have happened if he had been allowed to keep going. 

ANYWAYS… What issue are we on?

Marc Spector, Moon Knight: Issue #3: Butcher’s Moon

Written by: Charles Dixon

Art by: Sal Velluto

Oh boy. Where’s that Content Warning able? I have a feeling this is about to get dicey. 

WOW. Right out the gate! 

Alright so... We see an airport and someone is going through customs. 

We are now in Burunda. 

And a very uh... characture... fellow... asks to see this guy's passport. 

It's CLEARLY Marc in a disguise. He has a European UK Passport and is claiming to be Ian Waller, a photo journalist from Manchester sent to take pictures of how the country is doing under the new General leader Bushman. 

The customs officer keeps his passport, telling him that he will get it back when he leaves. (Not a good sign.) 

The town is "Freedomtown" and ....  

I'm going to make you squint at this picture. 

You got a clearly poor country depicted under the rule of a tyrant that rules through fear and violence. 

You got a car with the word "TAXI" spray painted on the side. He claims to be the only taxi in the country. 

Then you have several children running after the 'photojournalist' yelling "White man rich? White man have dollar?" 

Then on the corner you have what's clearly supposed to be a hooker and her pimp not too far away, though it's cleverly disguised as a bus stop and can be argued otherwise. Then you got homeless guys and bags of trash... There's a lot going on here. It's like a Where's Waldo of stereotypical poor African country depiction. 

He gets in the taxi and the driver takes off. 

"Driver? I didn't give you a destination." 

"Only ONE destination, Sah. Only ONE Hotel." 

(I am grinning at the idea of Marc putting on a fake Manchester Accent. Thank you Steven Grant MCU. He actually says "I guess it is, innit?" and I'm so happy). 

The 'photojournalist' goes to take a picture of some military group and the Taxi driver smacks his camera down. 

"No! NO picture without permission, Sah." 

How very North Korea of you. 

The Journalist gets to the hotel and starts to unpack. 

Would you look at that? It's Marc Spector in disguise! (Another mustache) He vows that once it gets dark he's going to go looking for Marlene and also take care of Bushman. 

We head over to the Presidential Palace. 

Out front we see a truck arrive full of people and a bunch of guards with guns offloading them. 

And in the back of the palace there is a large pool. So of course we see Marlene out for a swim in a tiny bikini. Getting back to the basics. 

She gets out of the pool and Bushman offers her a robe. They exchange a few quips. 

"What's your game, Bushman? What made you want to settle down and rule your own personal dungheap?" 

"I Feel compassion for my people. This WAS my homeland. The Tribe my family belonged to once ruled this land frm end to end until the Europeans deposed them. Now I rule. I am like a warming sun shining on my people. I am like the rain that nourishes the soil." 

"I can think of another thing that nourishes the soil, General. And you're full of it." 

While they talk, they are interrupted by gunfire. 

"You do amuse me. You find my ways harsh. I see them as direct. As sole ruler of Burunda, I face no opposition, no Bureaucracy. I am free to deal with my nation's problems efficiently." 

We cut to another panel where we see soldiers with smoking guns and a pile of dead bodies of men young and old. 

"Problems such as aids. I have found a cure for aids." 

HISTORY TIME: 

Alright. There is a LOT going on in that last panel. A LOT of history. A LOT of politics. a LOT of terrible things.

This comic came out in 1989. We are at the height of the Aids pandemic. I'm not going to get deeply into it, but if you have questions please feel free to ask. In America, it was seen strictly as a Homosexual disease and the people afflicted were written off, forgotten, and left to die alone and scared. In Africa, many places saw Aids as a sin-ful or taboo disease and they were cast out of their villages or outright killed. 

It was a disease that wiped out a generation of homosexual men and is the reason why there are so few older gays for younger people to learn from. It's... It's a whole thing and there are papers and books and documentaries on it. 

What I find interesting in relation to THIS comic in particular... 

We are in 1989, it's still killing gay men and a lot of people saw this as a good thing. The way this panel is done is to show how terrible this is. It brings humanity to the aids victims and shows that killing them is NOT a solution and is a terrible thing. ALSO considering the Marvel editor in chief that caused a lot of writers to leave was intensely homophobic, this may have been a sneaky jab. 

Take my word for it, there is a LOT going on. 

It's a beautifully sad panel. I'm not going to show it because it has dead bodies and depicts extreme violence and is just too depressing. 

Back to the comic! 

Marlene yells at Bushman, demanding to be let go. 

Bushman says that "Spector will come for you. He loves you more than he will ever admit to you, I know him. He will stop at nothing to get what he wants." 

Back at the hotel we see a bunch of guards knocking on the 'photo journalist's' door. 

They go inside only to find him gone! 

Up on the roof, we have Moon Knight holding a bow and arrow set. 

"Nobody in sight. Bushman probably has a curfew around here. Boy, is he strict. Hope nobody asks for my hall pass." 

I must say that the colorist really did a fantastic job on the night time shading and moon light glow. It's just very pretty. 

He climbs a bell tower to get a good view of the area and finds a military compound with a large fuel truck. 

Marc, of course, gets a bright idea for a diversion. 

One of the guards near the truck pulls out a cigaret and asks for a light. A note says "Translated from Domi, a local tribal dialect"

"I got your light, Pal." Marc says just before he lets loose an arrow. 

What I love about this is that Marc understands him. Implying that Marc understands the dialect. This is why he's such a good mercinary. He isn't just good at killing and fighting. He was amazing at learning everything about the places he went, including the language. 

The arrow hits the truck and BLAAAAAAAAAAM. 

Oh look at that. An Ammunition storehouse. 

Yeah, he blows that one up too. He's having a good time. 

"That should keep their eyes off the rooflines and their minds off ME for a while." 

We find Bushman in his private office wathing a women's fighting match. 

Someone interrupts him to tell him that the supply depot has exploded and injured many men, but somehow not killed anyone. 

"He is here." Bushman smiles. 

If you will think back to issue 1 of Moon Knight, Marc did the exact same thing when he came back from the dead and was sneaking back into the dig site. He blew up a truck to cause a distraction. 

I'm starting to think Marc might be a bit of a pyro. 

"We now head Several Hundred Miles South" where a bunch of men are sitting around a camp fire near a helicopter. 

And here we see Frenchie walking up. He starts in French, saying hello and asking if they speak French. Then English. 

"I want to buy your helicopter." 

"You are saying WHAT?" 

"The Huey. I want to buy your Huey." 

They laugh a little, thinking he is joking until Frenchie pulls out a suitcase full of money. 

....Now... I'd like to point out that Frenchie did just as much work as Marc, possibly more, and got paid a lot. He never really did much with it... He probably has a lot saved up. He ALSO probably had Steven invest for him. I would not be surprised if Frenchie is richer than Marc. 

So he takes off with the chopper and tosses behind the money. 

Back in town, we see the soldiers running around looking for Moon Knight. 

Up high, we see Moon Knight walking across the power lines towards the palace. 

He sneaks inside and takes out a guard. 

Elsewhere, we see two soldiers moving to retrieve Marlene for Bushman. 

They hear the shower running and go to get her (and take a peek). She opens the curtain and reveals she's in her bathing suit and ready to fight. She sprays one guy with hot water in the face then kicks the other guard. 

She manages to steal a fifle and takes off. "This is what Bushman calls an army? I might not even need this rifle." 

Marc is having a similar thought. 

Bullets fly all over as he runs down a hall. 

"These guys can't be this bad at marksmanship by accident. It's more like they're just chasing me somewhere. If it's closer to Bushman, then I'm happy to oblige." 

WINDOW! WINDOW! WE HAVE A WINDOW! 

Now, let me just say, I do love the Bushman design in this. This is how he SHOULD be. Not whatever that was that Bemis gave us. 

"Do you see this sword? It is the traditional weapon of my people." 

"Thanks for showing me the family silverware, Bushman. But I'm here for the woman." 

"Some things never change. You always did use snappy banter when you were most nervous, Spector. Defeat me and the woman's yours." 

Marc asks why Bushman became obsessed with him. 

"You represent everything I hate. A mercenary making his fortune from the miseries of the third world." 

"Cut the bull! You made millions and never cared where the money came from as long as you could spend it. I may have been a mercenary, but you were a butcher! I never shot anyone who wasn't pointing a gun at me." 

"It was just such softness that always got you in trouble!" 

They start the battle. Marc with his nun-chucks snaps takes their swings. Bushman draws first blood when he slices through Marc's mask. 

"It's not who bleeds first. It's who's left standing!" 

Another slice cuts into Marc's side, but he's had worse. 

Marc kicks him in the chest then smashes his face with the palm of his hand. 

Marc goes full ...Marc... on Bushman, fists and blows. It's his fighting style to take hits and keep going. 

Marc gets the upper hand and demands to know where Marlene is. 

Bushman calls out to his men to shoot Marc. 

"They shoot me, they hit you too!" Marc reminds him. 

But then bullets rain down around them, snapping Bushman's sword in two. 

And Frenchie comes in with the chopper. 

"Through playing the hero yet, Marc?" 

"Good to hear your voice, Frenchie. Put her down as close as you can. This place is HOT." 

Marlene wants to know why she can't just shoot Bushman and end it. 

Marc tells her not to. He fails to give her any good reason other than that they need to get out of there quickly. 

I have theories about this that I'll discuss in a moment. 

Marc releases Bushman as soon as they start to take off. 

"You walk away this time, General. THIS time!" 

Frenchie opens fire, scattering the men to prevent them from trying to shoot them down. 

What I love about this is that Marc is still the chaotic, bad decision making, single man army, and utter goof he has always been and will continue to be when written well. He has a strange but endearing sense of humor and he does not take it well when those close to him are at risk. 

So this story done, let’s address a few things! 

In this introduction to the new series, you’ll notice a lot of people are missing. 

Where’s Gena, Crawley, Samules, Nedda, Jake, and Steven? Why is this Marc Spector in title and the Spector Mansion? Why is Marlene suddenly addressing him as Marc and okay with dating Marc when she’s previously hated Marc and only wanted to be with Steven? 

No one addressed their DID better than Moench. With Moench out of the picture, who was very forward thinking in terms of this mental illness and its depictions for its time, we are now at the mercy of people who have not done their research and who have not kept up with the evolution of mental illness. We are now at the mercy of writers that follow Hollywood depictions. Sure, Moench based it off of Hollywood at first, but somehow, this man was in touch with modern issues, accurate depictions of DID, PTSD, depression, dissociation… He had a gift. 

With the upheaval at Marvel, they were more reliant on the reader and what the statistics told them readers wanted. Readers of the early 90s apparently wanted ACTION and HOT BABES and MANLY MEN. So guess what? Marc’s in charge and the others? They are going to be lucky to get any screen time. We’re going to start seeing more references to Marc ‘pretending to be other people’ and more references to Marc as being closer to Schizophrenia or ‘crazy’ than DID (or Multiple Personality Disorder, as it was known by at the time). 

And all those side characters? We’ve already seen that Nedda has been retired. Samules? Also probably retired and replaced by Chloe up there in her bikini. 

Gena? In the last run, Gena was talking a lot about leaving. She’d been through a lot and she, perhaps, was the first victim of being too close to them. She was beloved by Jake and she acted as a kind and nurturing voice with him. She brought out the best in him and he loved her boys like a doting uncle. And she was the first to get hurt. 

So will we see Gena in this run? We’ll have to wait and see. 

What about Crawley? An eccentric and useful man to Jake and Moon Knight. Here’s the deal on Crawley. Moench wrote him with such a unique way of speaking that other writers found it difficult to keep it going with him. Even his personality was pretty unique. So we aren’t going to see a whole lot of Crawley either, and he may change in how we see him. 

Now for Jake and Steven? In Moench’s run, Marc took the back seat. From this point on in Moon Knight history, Marc is going to sit front and center and the other two are going to be passing fancies. Perhaps I’ll make a different analysis on this later. What DOES happen is that we are going to start seeing more of WHO Marc Spector really is, and not just what Steven and Jake see. (He's kind of a goofy idiot with severe self loathing).

Bushman: I think I talked about this before, but in case I didn’t or you haven’t read it yet, here we go again (for the first time?).

Bushman was never meant to be the BIG BAD. He was the catalyst. When Marlene asks Bushman why he’s obsessed with Marc, Bushman notes that he created Marc’s need to become Moon Knight. 

In reality, he is the one that ‘killed’ Marc, which did take him to Khonshu’s temple and this made him take the shroud and become Moon Knight. He’s also the one that made Marc realize he had a conflicted code of ethics and morals. 

But when it comes to Bushman, Marc does not see him as ‘the big bad’. He sees a frustrating man that has an unhealthy obsession with him and often causes him stress. 

And we’ve seen time and time again that Bushman does not stand up to Marc’s fighting abilities. It’s why Bushman obsesses with him. He feels like Marc was just some random guy he found and somehow Marc is better than him. And while Bushman has set out to be the best, Marc doesn’t care. Marc just IS good at what he does. 

So why do fans and writers see Bushman appear and go “OHHH” and get excited? 

Because Bushman represents who Marc could have been. Bushman is a representation of Marc’s past. The violence, the killing, the coldbloodedness. He’s everything Marc was becoming but still fought against. Bushman is Marc’s inner struggle. He is what Marc rebels against but still turns to time and time again. 

When Marc spirals, he spirals with the image of Bushman. He was never that bad. He was never seen as being as ‘good’ as Bushman because he would not let himself become that far gone. But as Moon Knight, they have proven to be better. 

Of course then you have the writers that just have a thing for Bushman because he’s ‘badass’ (Looking at you Bemis) and don’t know how to utilize him properly. 

Anyways! This was the start of “Marc Spector: Moon Knight”. What do you think so far? 

I’m going to be taking these in batches and not one at a time. So expect longer posts when I get to them! (Unless you have a special single issue that deserves more time). 

…this was a long post.

[day6source]

                                   WELCOME TO DAY6SOURCE ! 

This is a daily updates blog for the Korean pop rock band DAY6! I try to stay as current as possible, and post from all official resources, including their YouTube, Twitter, and Instagram, including ones used by the members themselves! I do not post from fansites or anything of the sort, nor will I be reblogging gifs or any fan creations. This is strictly for news and updates!

DAY6 are a four member self-written K-pop rock band from Seoul, South Korea under JYP Entertainment under the sub-label STUDIO J! They debuted September 7th, 2015 with their debut song ‘Congratulations’. Currently the group has 3 full studio albums, 9 mini albums, 1 full and 2 Compilation Japanese albums. Young K & has 1 mini album and 1 full album and Wonpil has 1 mini album each respectively released. They currently have 1 subunit, DAY6 (Even of Day), which currently has 2 mini albums. The members currently include:

Sungjin (Park Sungjin): leader, rhythm guitarist, main vocalist

Born January 16th, 1993, Sungjin is the leader, guitarist, main vocalist, and oldest member of the band. Sungjin is partaking currently in uploading to his YouTube channel! Videos go up every other Monday at 6:00 PM KST. He is currently working on his first album.

Young K (Kang Younghyun, Brian Kang): bassist, main vocalist, main rapper

Born December 19th, 1993, Young K is the bassist, main vocalist and (now not as often) main rapper. He’s most responsible for most of the bands songs, and has written on nearly every single one, as well as having a large hand in composing them. He formerly hosted Idol Radio with Youngjae of GOT7 and DAY6 Kiss The Radio, in which he returned to after his enlistment, finishing his second tenure on June 30, 2024. He currently has a mini album called Eternal that was released September 6th, 2021 and a full album called Letters with notes that was released September 4th, 2023. He’s part of the subunit DAY6 (Even of Day) with Wonpil and Dowoon.

Wonpil (Kim Wonpil): keyboardist, main vocalist, visual

Born April 28th, 1994, Wonpil is keyboardist, main vocalist, and visual. Wonpil is also an actor, making his debut in March of 2021 starring in the musical Midnight Sun, and starred in the web drama Big Mistake 3 which aired from December 27th, 2021 to Feb 17th, 2022. He currently has an album called Pilmography that was released January 24th, 2022. He’s part of the subunit DAY6 (Even of Day) with Young K and Dowoon.

Dowoon (Yoon Dowoon): drummer, vocalist, maknae

Born August 25th, 1995, Dowoon is the drummer, vocalist, and maknae of the band. He currently has 1 single called ‘Out of the Blue’ with Song Heejin released September 27th, 2021. He’s leader of the subunit DAY6 (Even of Day) with Young K and Wonpil.

Former Members:

Jae (Park Jaehyung, Jae Park, eaj): lead guitarist, main vocalist, face of the group

Born September 15th, 1992, Jae is the former lead guitarist, main vocalist, and face of the group. He formerly hosted After School Club with former labelmate Park Jimin (now known as Jaime), and Kevin Woo formerly of U-KISS from June 28th, 2016 to July 17th, 2018. He later hosted a podcast as part of DIVE STUDIOS called How Did I Get Here? from February of 2020 to June 2021. On September 21st, 2020, he and former labelmate Nichkhun of 2PM, played members of crime-fighting boyband 4 2 Sing in season three of Big Hero 6: The Series. It was announced he left the group on December 31st, 2021 due to personal reasons. He’d formerly been on hiatus since May 10th, 2020 due to the mental health concerns of some of the members. Jae currently has three mini albums, laughing in insomnia released February 3rd, 2023, smiling in insomnia released April 21st, 2023, and medicated insomnia on June 30th, 2023. He also streams on his Twitch Channel. He's currently on tour.

Junhyeok (Lim Junhyeok): keyboardist, vocalist

Born July 17th, 1993, Junhyeok is a former keyboardist and vocalist of the band. He left the band in February of 2016 due to personal reasons. He currently has 5 singles on streaming, the latest being 'Blip', released June 10th, 2023. In 2017 he was on the KBS2 survival show The Unit: Idol Rebooting Project, but was eliminated in the second to last episode, and was on most recently on the MNET survival show Build Up: Vocal Boy Group Survival, but was eliminated in the 4th round.

Former Member:

Twitter 🍀 Instagram 🍀 Official YouTube  🍀 JYP YouTube 🍀 Official Site 🍀 Official Merch                                           Spotify 🍀 Apple Music 🍀 YouTube Music  (Even of Day):

Spotify 🍀 Apple Music 

Sungjin: 

Twitter Main 🍀 Twitter Food Updates 🍀 YouTube 🍀 Instagram

Young K:

Instagram 🍀 Spotify 🍀 Apple Music 🍀 YouTube Music

Wonpil:

Instagram 🍀 Spotify 🍀 Apple Music 🍀 YouTube Music

Dowoon:

Twitter 🍀 Instagram 🍀 YouTube 🍀  Spotify 🍀 Apple Music 🍀 YouTube Music

Former Members:

Jae:

Twitter 🍀 Instagram 🍀 YouTube 🍀 Twitch 🍀 Spotify 🍀 Apple Music 🍀 YouTube Music

Junhyeok:

Twitter 🍀 Instagram 🍀 YouTube 🍀  Spotify 🍀 Apple Music 🍀 YouTube Music

day6source is currently only run by me, Tay, or Taylor, whichever you prefer! I’m 27 and live in CST in the United States, so any updates might come at times after they’ve been posted due to the time difference. My bias is Young K, and am constantly telling people to listen to ‘Come as You Are’. You can find me at my personal blog, briankang! 🌸

[jeffstormer]

A Series of Mutually Exclusive Statements About the WotC Creator Summit.

Formally building a platform separate from D&D is the single best decision we ever made for Party of One.

There will always be FOMO when I see big flashy promo events for D&D, Creator Summits and Livestreams, that we get iced out of.

There is no real equivalent to the "pick me" feeling of getting celebrated and recognized together, as a group, in the indie TTRPG space, especially for content creators.

We're trying, bit by bit, to build that feeling in the Web Fest circuit for AP pods and streams, but it's a slow journey. And part of building a thing is you rarely get to enjoy the thing yourself.

It's weird seeing creators say "There is simply no other path forward as a TTRPG content creator that ISN'T playing nice with WotC," as someone who did just that.

We also made sacrifices and trade-offs in our journey, and it's been way harder for us along the way, entirely because of the choices we made, and that sucks.

I don't fault or judge anyone for grabbing the bag and going to a wine-and-dine event from WotC.

I will *absolutely* side-eye WotC for aggressively courting influencers immediately after everything that happened in January. I wish they were kept on the hook.

We're releasing TWO NEW EPISODES this week, PLUS a bonus episode to Patreon, AND we just launched a new series of another podcast with friends. This post, me talking about this, is going to get more traction than ANY OF THE POSTS I MAKE promoting that actual real art I spent literal actual hours on, and that's absurdly discouraging.

It's great that people feel like they've earned an opportunity. You work hard! I recognize that.

It sucks that other people who have worked just as hard are left to feel like they "didn't do enough earn it," or that for others (myself included) no amount of hard work will "earn" us those opportunities. Like, by the logic of "This thing is a REWARD for WORKING HARD," my work is inherently lesser.

These fuckin hot takes about D&D and WotC's business decisions will gain more traction than ANY of the ones promoting or talking about those episodes. And that's EXHAUSTING.

[gynotai]

X-DAY

HAPPY 30TH ANNIVERSARY TO X-DAY!!!!!

X-DAY, a game with 3 seperate versions (all lost), released on January 1st 1994, according to this pdf mentioning the games that Namco no longer supported service for as of July 2015. It's a combination of a quiz and fortune game that determines when you will die using your answers to questions and reaction time. This game is much more famous for its thankfully available sequel X-DAY2 and the remix X-DAY2000 in the Taiko No Tatsujin series. Despite the fairly high popularity of 2 and the release of soundtrack CDs for both games, the first X-DAY game remains lost, alongside its Web conversion (while the site is available via Wayback Machine, the game itself is seemingly inaccessible) and i-Mode port (old phone games like this aren't preserved very well generally, Namco had a bunch of these that are now lost). There are no gameplay videos of any version online, as far as I can tell, and I have yet to find actual cabinet photos either...

The X-DAY series is fairly known for its soundtracks, with both 1 and 2 having Namco Game Sound Express CDs, which are both heavily 90s Dance influenced and have a pretty intense sound to them, which seems to throw people off for a fortune game. The first game's in-game music was all done by Ayako Saso, but the arrange tracks on the album were by Ayako Saso, Shinji Hosoe and Nobuyoshi Sano. The second game was seemingly all done by Akihiko Ishikawa, with credits for the previous game's composer and arrangers as multiple songs in 2 were sequenced conversions of 1's arrange tracks. Ishikawa converted the remixes from 1 and also created the new FOX-day and FIX-day tracks.

I've never seen an image of an X-DAY 1 cabinet that isn't the same promotional one, sadly, as it seems most of them were converted into 2 cabinets. If you pay attention to images of X-DAY 2 cabinets, you can see that some look a bit different in their casing, having the physical features of a 1 cabinet. There are very few screenshots and the only ones I have ever found are from official promotional media and the CD. The machine also printed receipts showcasing your results, at least there are plenty of images of those around.

[This post is more focusing on X-DAY1 but just a fun fact about 2: it's actually surprisingly really progressive for a fortune game of the time (1996), featuring the ability to have gay relationships and also even having options for trans players! Funnily enough, relationships get referred to officially by the game as "Super" if one member is trans, and "Ultra" if both members are trans, which explains the song names "FOX-day - Ultra gay edit" and "FOX-day - Super les edit". Another bonus fact, there's a doujin X68000 game based on 1 called Super X-DAY X.]

Also thanks to X-DAY for getting me into this whole obscure arcade thing in general! The music led me down a rabbit hole.

[japanimeamv]

Unveiling the Dynamic World of Solo Leveling Manga: Characters and Release Date

Introduction:

Solo Leveling has captured the hearts of manga enthusiasts worldwide, offering a riveting storyline, captivating characters, and an immersive world that keeps readers on the edge of their seats. In this exploration, we delve into the mesmerizing realm of Solo Leveling, shedding light on its intriguing characters and the eagerly anticipated release dates.

Solo Leveling Manga Overview:

Solo Leveling, written by Chu-Gong, stands out as a remarkable South Korean web novel turned manga series. The story revolves around Sung Jin-Woo, an E-rank hunter who gains the ability to level up as if he were a character in a game. As the protagonist embarks on his journey to become the most powerful hunter, readers are introduced to a myriad of characters, each contributing to the richness of the narrative.

solo leveling characters Key:

Sung Jin-Woo: The main protagonist blessed with the power of leveling up, transforming from the weakest E-rank hunter to an unparalleled force.

Cha Hae-In: A powerful S-rank hunter and an essential ally to Sung Jin-Woo, contributing her strength and skills to the battle against formidable foes.

Go Gun-Hee: The enigmatic and influential leader of the Korean Hunter Association, playing a crucial role in the unfolding events.

Solo Leveling Release Date:

One of the most frequently asked questions among Solo Leveling enthusiasts is the release date for new chapters. As of my knowledge cutoff in January 2022, Solo Leveling was actively being serialized. However, for the most up-to-date information, it's recommended to check official manga platforms or the publisher's announcements. The anticipation for each release speaks to the manga's popularity and the eagerness of fans to witness the next chapter in Sung Jin-Woo's journey.

Conclusion:

Solo Leveling continues to captivate readers with its compelling narrative, well-developed characters, and the promise of exciting developments in every chapter. As fans eagerly await new releases, the world of Solo Leveling remains a dynamic and thrilling universe, offering a unique blend of fantasy and adventure. Keep a close eye on official channels for the latest updates on release dates and immerse yourself in the extraordinary world of Solo Leveling.

[do-it-for-dude]

Do it for Dude - Remembering Cameron Boyce

Cameron Boyce was born on the 25th of May 1999. His parents are Victor and Libby Boyce. His sister is named Maya Boyce. When he was young, he lived in Los Angeles. He took dance lessons for breakdancing, hip-hop, modern dance, jazz, tap dance, and ballet. His favorite style was breakdancing, and, along with four of his friends, he was a member of the breakdancing crew "X Mob".

In May 2008, Boyce made his debut as a child actor in the music video "That Green Gentleman" by Panic! at the Disco. In July 2008, he appeared in General Hospital: Night Shift as a recurring character named Michael. In August 2008, he made his feature film debut with a starring role in the horror film Mirrors, as well as appearing in the mystery-thriller film Eagle Eye that autumn.

In June 2010, Boyce starred as Keithie Feder, the spoiled son of Adam Sandler's character, in the comedy film Grown Ups and appeared later that same year showing off his dance skills on the web series The Legion of Extraordinary Dancers.

In April 2011, Boyce made a guest appearance on Disney Channel's comedy series Good Luck Charlie, and later that month he was one of the featured dancers in a royal wedding tribute on ABC's Dancing with the Stars. In June 2011, he had a small role as one of Judy's classmates in the family comedy film Judy Moody and the Not Bummer Summer. In August 2011, he was one of the featured dancers on Disney Channel's comedy series Shake It Up.

In September 2011, Boyce was cast in the starring role of Luke Ross on Disney Channel's comedy series Jessie. During pre-production of the series, the role of Luke was originally intended to be a boy named Hiro adopted from Korea, but casting directors were impressed with Boyce during the audition process and ultimately decided to recreate the role specifically for him.

In 2015, Boyce was one of the main cast members in Disney Channel's Descendants, playing Carlos, the son of Cruella de Vil. He later reprised the character for the animated shorts Descendants: Wicked World and in the sequels Descendants 2 and Descendants 3. Unfortunately, the premiere of Descendatnts 3 was shortly after his death.

In March 2018, Boyce was cast in the ABC comedy television pilot Steps, in the role of Becker, and was also cast in the indie film Runt, in the role of Cal.

In January 2019, Boyce had joined the cast of HBO's Mrs. Fletcher. In April 2019, Boyce performed in the music video for "Almost" by Hozier. He choreographed the dance with dancer Christine Flores, who appeared in the video alongside him. In September 2019, it was announced that his clothing line called Archives, co-founded by him and stylist and designer Veronica Graye, would be released in November 2019.

On July 6, 2019, Boyce, aged 20, was found unresponsive at his home in Los Angeles, California. Authorities were called, and he was pronounced dead at the scene. According to a statement made by Boyce's family, Boyce died in his sleep "due to a seizure which was a result of an ongoing medical condition for which he was being treated". An autopsy was performed, but release of a cause of death was deferred pending further investigation. On July 9, 2019, Boyce's family confirmed that his death was caused by an epileptic seizure and that Boyce was previously diagnosed with epilepsy. The autopsy results were released by the Los Angeles County Department of Medical Examiner-Coroner on July 30, 2019, confirming Boyce's cause of death was due to sudden unexpected death in epilepsy. His body was cremated, and his ashes were returned to his family.

On July 14, 2020, a year after Boyce's death, the Alex Winter-directed documentary Showbiz Kids debuted on HBO. The film, which is about childhood stardom and its effects, includes interview footage of Boyce. It is dedicated to the memory of Boyce and former child actress Diana Serra Cary who had died on February 24, 2020. Just prior to his death, Boyce was to begin production with Sandler on a new project. The project he was due to star in with Sandler, Hubie Halloween, was released on October 7, 2020, with a dedication to Boyce that read, "In loving memory of Cameron Boyce. Gone way too soon and one of the kindest, coolest, funniest, and most talented kids we knew. You live on forever in our hearts and are truly missed everyday."

But although Cameron was now dead, his legacy lived on. In the span of 40 days in 2017, Boyce helped raise over $27,000 for the Thirst Project, which helps bring clean water to underdeveloped countries. In September 2019, Thirst Project officially changed the name of the Pioneering Spirit Award to the Cameron Boyce Pioneering Spirit Award, to honor his work with the organization.

He also supported United Way of America's initiative to end homelessness. He helped raise money for the HomeWalk in 2015, and continued to do so up until the end of his life. In May 2019, he participated in the opening ceremony of the 12th annual HomeWalk in downtown Los Angeles, one of the largest public events to end homelessness in the United States.

He also worked with the Lucstrong Foundation, which provides grants to families with children who are diagnosed with sickle cell disease and are going through the bone marrow transplant process.

His final humanitarian project was called Wielding Peace, a social media campaign in conjunction with Delaney Tarr, co-founder of March for Our Lives. In Boyce's own words, the campaign would "help fight against gun violence by showing celebrities and survivors 'wielding' a new kind of weapon — one of unity."

Following Boyce's death in 2019, The Cameron Boyce Foundation, a nonprofit organization, was founded in Los Angeles through Network for Good that provides young people artistic and creative outlets as alternatives to violence and negativity and uses resources and philanthropy for positive change in the world.

On July 25, 2019, the foundation disclosed the first project to be carried out was Wielding Peace, which officially launched on August 16, 2019. The foundation later donated $8,000 to Thirst Project to build a well in Uganda.

Do it for Dude is a small foundation that remembers Cameron Boyce, and supports his legacy. Join now for Cameron Boyce.